Amusing but amateurish.
Goodie Lane is a cul-de-sac of deadly secrets.
Seventh graders Parker and Mike investigate why their neighbors, the Oldies of Goodie Lane, never appear to age. Things turn otherworldly when Parker notices that Mr. Brown, who formerly tottered down the street, is suddenly outpacing the duo on their morning runs and has a distinctive scar on his calf—one in the exact spot and shape as her deceased runner father. As the duo work to solve the mystery, a glowing pond and a drowning victim from years past may provide deadly answers. While cover appeal will draw in young readers and remind Millennial caregivers of the creepy delights of Fear Street, the story’s plot pales in comparison. Readers are denied the false sense of normalcy and many subsequent peaks and valleys of suspicion because the story starts after Parker and Mike have begun their investigation. Tantalizing subplots, from Ms. Bea’s mysterious facial lotions and Grandma Jane’s witchy herbal creations, are never explored or fleshed out, which may frustrate more than titillate. Savvy readers will always be a few steps ahead of the protagonists, whose motivations are sometimes confusing and investigatory skills are lacking. A sequel is suggested in the final pages, hopefully one with more answers. Parker is white, and Mike is black.
Amusing but amateurish. (Horror. 11-13)Pub Date: Aug. 18, 2020
ISBN: 978-1-4197-4692-5
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls.
Three young ghost trappers take on deadly wraiths and solve an old murder case in the bargain to kick off Stroud’s new post-Bartimaeus series.
Narrator Lucy Carlyle hopes to put her unusual sensitivity to supernatural sounds to good use by joining Lockwood & Co.—one of several firms that have risen to cope with the serious ghost Problem that has afflicted England in recent years. As its third member, she teams with glib, ambitious Anthony Lockwood and slovenly-but-capable scholar George Cubbins to entrap malign spirits for hire. The work is fraught with peril, not only because a ghost’s merest touch is generally fatal, but also, as it turns out, as none of the three is particularly good at careful planning and preparation. All are, however, resourceful and quick on their feet, which stands them in good stead when they inadvertently set fire to a house while discovering a murder victim’s desiccated corpse. It comes in handy again when they later rashly agree to clear Combe Carey Hall, renowned for centuries of sudden deaths and regarded as one of England’s most haunted manors. Despite being well-stocked with scream-worthy ghastlies, this lively opener makes a light alternative for readers who find the likes of Joseph Delaney’s Last Apprentice series too grim and creepy for comfort.
A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls. (Ghost adventure. 11-13)Pub Date: Sept. 17, 2013
ISBN: 978-1-4231-6491-3
Page Count: 384
Publisher: Disney-Hyperion
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Next to the exhilarating renditions of Rosemary Sutcliff (The Wanderings of Odysseus, 1996) and Geraldine McCaughrean...
An anemic retelling of the epic is paired to crabbed, ugly illustrations.
Breaking for occasional glimpses back to Penelope’s plight in Ithaca, Cross relates Odysseus’ travels in a linear narrative that begins with his departure for Troy but skips quickly over the war’s events to get to the sack of the city of the Cicones and events following. Along with being careless about continuity (Odysseus’ men are “mad with thirst” on one page and a few pages later swilling wine that they had all the time, for instance), the reteller’s language is inconsistent in tone. It is sprinkled with the requisite Homeric references to the “wine-dark sea” and Dawn’s rosy fingers but also breaks occasionally into a modern-sounding idiom: “ ‘What’s going on?’ Athene said, looking around at the rowdy suitors.” Packer decorates nearly every spread with either lacy figures silhouetted in black or gold or coarsely brushed paintings depicting crouching, contorted humans, gods and monsters with, generally, chalky skin, snaggled teeth, beer bellies or other disfigurements. The overall effect is grim, mannered and remote.
Next to the exhilarating renditions of Rosemary Sutcliff (The Wanderings of Odysseus, 1996) and Geraldine McCaughrean (Odysseus, 2004), this version makes bland reading, and the contorted art is, at best a poor match. (afterword, maps) (Illustrated classic. 11-13)Pub Date: Sept. 11, 2012
ISBN: 978-0-7636-4791-9
Page Count: 178
Publisher: Candlewick
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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