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ANGRY HOUSEWIVES EATING BON BONS

Overlong trek over familiar ground.

Five friends and three decades, as Landvik (Welcome to the Great Mysterious, 2000, etc.) returns to small-town Minnesota.

Little Women, anyone? Alcott’s females are an inspiration for the Freesia Court Book Club members, though there are two contenders for the role of rambunctious Jo and none for meek Beth. Gathering at the Minneapolis hospital where one of the five is undergoing treatment for cancer, they remember the dreary, endless winter they first got together, back when their kids were young and they all lived on the same tree-lined street. Mopping up baby food and stroking the egos of their self-involved husbands just didn’t seem all that fulfilling. Gee-whiz, what a surprise. But love and laughter—and friends and family—carried them through the chaotic years that changed a nation in so many ways . . . . Similar platitudes and preaching undermine the weak structure of this baggy tale and its multiple points of view, chapters linked by popular books of the time. The five friends, beginning in the late ’60s, are introduced one by one. Audrey Forrest is happy with her lush curves but her husband Paul thinks she’s fat. Angelically beautiful Merit Iverson smokes like a chimney, despite her doctor husband’s disapproval. Scrappy Faith Owens is sick and tired of husband Wade’s smugness, not to mention packing his suitcases (he’s an airline pilot). Kari Nelson, a gentle young widow, grieves over her husband Bjorn’s untimely death and their infertility. Slip McMahon is an ultrafit jockette, happily married to a research meteorologist, and just loves the freaky Minnesota weather. As time goes by, Audrey gets a divorce and finds new friends (two gay men); Merit ditches the abusive and dominating doctor; Faith comes to terms with her mixed feelings about her long-lost mother; Kari adopts a mixed-race child; Slip becomes a social worker. The world changes but all remain tight, all the way to menopause and telltale gray hairs.

Overlong trek over familiar ground.

Pub Date: March 1, 2003

ISBN: 0-345-43882-5

Page Count: 416

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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THE PEARL

Steinbeck's peculiarly intense simplicity of technique is admirably displayed in this vignette — a simple, tragic tale of Mexican little people, a story retold by the pearl divers of a fishing hamlet until it has the quality of folk legend. A young couple content with the humble living allowed them by the syndicate which controls the sale of the mediocre pearls ordinarily found, find their happiness shattered when their baby boy is stung by a scorpion. They dare brave the terrors of a foreign doctor, only to be turned away when all they can offer in payment is spurned. Then comes the miracle. Kino find a great pearl. The future looks bright again. The baby is responding to the treatment his mother had given. But with the pearl, evil enters the hearts of men:- ambition beyond his station emboldens Kino to turn down the price offered by the dealers- he determines to go to the capital for a better market; the doctor, hearing of the pearl, plants the seed of doubt and superstition, endangering the child's life, so that he may get his rake-off; the neighbors and the strangers turn against Kino, burn his hut, ransack his premises, attack him in the dark — and when he kills, in defense, trail him to the mountain hiding place- and kill the child. Then- and then only- does he concede defeat. In sorrow and humility, he returns with his Juana to the ways of his people; the pearl is thrown into the sea.... A parable, this, with no attempt to add to its simple pattern.

Pub Date: Nov. 24, 1947

ISBN: 0140187383

Page Count: 132

Publisher: Viking

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Nov. 1, 1947

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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