A people lover’s book. Characters grow and change; family and friends support each other. Predictable, but comfortably so,...
This sequel to Landvik’s debut novel (Patty-Jane’s House of Curl, 1996) reads easily as a stand-alone. A light read—not deep, but definitely wide—the story follows Ione Rolvaag’s family (and friends) for two decades.
The Rolvaag family, from matriarch Ione on down to her great-grandchildren, lives, laughs, and loves at Blue Moon Lodge. In a nutshell, Ione gets a second chance at the love of a lifetime. Her daughter-in-law, Patty Jane, can’t marry the man she loves because her legal husband, Thor, has returned, brain damaged, after a 15-year absence. Nora, Patty Jane’s (and Thor’s) daughter, has a one-night stand that leaves her more than surprised (three guesses), but in this basically optimistic tale, she finds love, too. And her kids, and those of her half brother, turn out well, so happiness overrides the sad events that are spattered throughout. Nora’s newly acquired Blue Moon Lodge in rural Minnesota is the focal point for the action, a cozy place where friends and family gather. The novel’s lengthy time frame slows forward momentum. There’s no definitive plotline, just four generations living, loving, learning, and struggling through the occasional hard times over a span of 20 years. It’s a story about family—but chock full of other characters, too, and much dialogue. There is a charm and warmth to this hopeful tale in which love is the glue that holds people together. There is no apparent main character; each shares the spotlight in a short scene before the curtain drops and another’s stage is set. Landvik’s love for her characters is evident; she introduces multiple peripheral people, who serve as color in the backdrop of a close-knit family, and she has clearly thought deeply about the people she puts on the page. She even provides a detailed epilogue to show where life takes them after the book is closed.
A people lover’s book. Characters grow and change; family and friends support each other. Predictable, but comfortably so, this refreshingly simple family tale provides a comfy diversion from the everyday world.Pub Date: April 11, 2017
ISBN: 978-1-5179-0269-8
Page Count: 312
Publisher: Univ. of Minnesota
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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