Breathless writing, tight structure, and an endless A-list of stars make this memoir by the younger Garland daughter a movie fan’s parfait. Daughter of Garland and businessman Sid Luft, Lorna writes this book neither to glorify nor to vilify her family, but to tell “a truer . . . story” about “a group of people who grew up in the public eye and got through it all the best way they could.” Thankfully, understatement ends there. Beginning with Frances Gunn’s first steps onstage at age two and ending with her daughter Lorna’s happy second marriage, the book is rife with dramatic events. Skillfully divided into two parts—life with Mama, life after her death—it details Garland’s decades-long chemical dependency (including her first studio-sanctioned Benzedrine) and Lorna’s early life as her caregiver, her emotional swings, and especially her great love for her two daughters and her son, Joe. Lorna also charts Garland’s hard-won sobriety and attempts to bring Liza to detoxification programs. Throughout, the book brims with famous friends: Uncle Frank Sinatra, girlfriend’s parents Bogart and Bacall, JFK and his sweet-voiced wife Jackie, early love Barry Manilow. Everything is presented in a pleasingly sustained voice that blends once-stylish phrasings, self-help lingo, and quirky if awkward locutions to create a linguistic world in which “damn straight, “dysfunctional,” and the kooky line “For every camel, there’s a last straw, and there was for me” coexist. It also suits the writer, for as she presents herself—by turns mature, facile, feeling, and gracious’she is a ’90s everywoman, the person you’d see yourself being if you had been the child of a troubled movie legend. Confessional yet affectionate, this grants weight and closure to an overdiscussed film family. (16 pages b&w photos, not seen) (Literary Guild selection; author tour; TV satellite tour; ABC-TV miniseries)
Pub Date: April 7, 1998
ISBN: 0-671-01899-X
Page Count: 407
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1998
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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