The whole novel is worth it for the poignant beauty of the final paragraph.
A young man finds purpose when he becomes obsessed with saving two children from their abusive father.
Hardy “Hardly” Reed isn’t really living his best life, though he begins his story by saying, “I have everything I need and want.” Working as the Dead Sheriff at Haunted Frontier amusement park and smoking a lot of weed can kill only so many hours of the day. His life changes when he sees two children with unmistakable cigarette burns on their bodies. His heretofore dormant investigative skills lead him to make a report to Child Protective Services, then to interview the girls’ elementary school teacher. Along the way he finds unexpected help from a glamorous 40-something real estate agent, a “goth chick,” her metal-loving grandmother, and a teenager who “looks like a stick insect with braces.” In true noir fashion, Hardly is horribly beaten up, and from there his quest becomes an obsession—one he may even be willing to trade his whole life for. Hardly is a sad sack for sure, and it takes a while for him to earn all of our sympathy. His motivation is pure—who doesn’t want to save kids?—but he’s someone that things happen to rather than someone who makes things happen. It takes most of the novel for him to finally make some real decisions—and then, he does so with such single-mindedness that it feels like overcompensation. But that, of course, is one of Berney’s points: This novel is about a bland, dead-end white boy in a bland, dead-end (unnamed) Midwestern town who has learned to expect nothing from life but more of the same. Hardly’s trajectory is helped by Berney’s superb writing; sometimes self-consciously noir (“I look at a hand holding a gun. My hand. My gun”), sometimes just colorful (“A woman in front of me worries into her phone about a suspicious lump in her armpit”), it adds both gravity and grace to the protagonist’s stubborn, self-destructive path.
The whole novel is worth it for the poignant beauty of the final paragraph.Pub Date: Sept. 19, 2023
ISBN: 9780062663863
Page Count: 256
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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