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CABIN

TWO BROTHERS, A DREAM, AND FIVE ACRES IN MAINE

Ureneck’s story is simple, but it rewards abundantly by affirming the unexpected possibilities for renewal that life offers.

A modern-day Walden with a midlife twist.

“I had been city-bound for nearly a decade, dealing with the usual knockdowns and disappointments of middle-age,” writes Ureneck (Journalism/Boston Univ.; Backcast: Fatherhood, Fly-fishing, and a River Journey Through the Heart of Alaska, 2007). “The notion of building a cabin—a boy’s dream really—seemed a way to get a purchase on life’s next turn.” The author was not consciously attempting a Thoreauvian experiment in self-sufficiency. Rather, he was trying to save himself from the wreckage—a painful divorce, the loss of his mother and uncles to death and disease and a major career change—of a life gone awry. Loneliness and despair threatened to engulf him; the only family members who remained were his two grown children, both of whom lived apart from him and his younger brother Paul, a man absorbed by his own trials. Heartsick and confused, he bought a piece of land in the woods of western Maine. There, Ureneck, along with his brother and his brother’s sons, spent the latter part of 2008 and all of 2009 constructing the cabin, “employing, as much as possible, old-fashioned wood joinery rather than nails.” At first, this “experiment in mental health” was the author’s way to enjoy the two things that had been constants in an otherwise fragmented life: Paul’s company and a love of the natural world. But as the project evolved, Ureneck realized that the cabin-building process—selecting the timber to use in construction; digging and laying in the foundations; assembling the wood pieces together; securing the final structure both inside and out—was allowing him to not only confront and resolve issues from his past, but also giving him the opportunity to build a mature relationship with a beloved brother he felt he had let down in youth.

Ureneck’s story is simple, but it rewards abundantly by affirming the unexpected possibilities for renewal that life offers.

Pub Date: Sept. 19, 2011

ISBN: 978-0-670-02294-6

Page Count: 256

Publisher: Viking

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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