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LOUIS ARMSTRONG

IN HIS OWN WORDS

These writings from jazz great Louis Armstrong swing with the same warmth, rhythms, and inventive phrasing that made his music so popular. Armstrong toured with a typewriter and used it often for journals, writing letters to friends or strangers, and supplying reporters with material about his life. Eavesdropping backstage on Armstrong and his bandmates would make worthwhile reading for any jazz fan or historian, regardless of Armstrong’s ability as a writer. But Armstrong writes well, in a style completely his own. Editor Brothers provides context and insight through short introductions to each piece. But he has a deep respect for Armstrong and has interfered as little as possible with his idiosyncratic writing. Armstrong developed a unique usage of quotation marks, commas, dashes, and underscoring that gives the writing its rhythm. In a letter to his manager, Joe Glaser, he writes “I—Just, Love, Your, Checks, in, My POCKETS——OH— They look so pretty, until, I hate like hell to cash them.” Armstrong uses jazz argot, much of it now assimilated into the language, translating when he thinks it necessary: “Here’s how we were busted (arrested to you) . . .” Of some sharp sight-reading musicians he writes, —They might read a Fly Speck, if it get in the way.” The collection covers Armstrong’s entire life, from his poor beginnings in New Orleans to his heyday in Chicago to his last years in Corona, New York. But the most compelling reading comes from Armstrong on his passions for music, —gage— (marijuana), and laxatives. He even signed a telegram to President Eisenhower (offering to take “those little negro children personally into Central High School”) “Am Swiss Krissly Yours . . .” Swiss Kriss was the herbal laxative to which Armstrong credited his health. This collection transcends jazz and conventional grammar, revealing the humor and spirit of a legendary entertainer. (29 halftones)

Pub Date: Nov. 1, 1999

ISBN: 0-19-511958-4

Page Count: 288

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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