An intricate, visually lavish dive into a religiously influenced creative process.
In this debut memoir, a building designer asserts that divine inspiration helped turn an offbeat chapel into a jewel.
Pittsburgh-based architect Astorino was called to Rome in 1993 to consult on a proposed residence hall in Vatican City for visiting cardinals and bishops. The project stirred public controversy because the proposed structure would block views of St. Peter’s Basilica. As he devised a new design that lowered the building’s height, the process flowed so rapturously, he says, that he “felt like a pencil in someone’s hand.” However, Vatican bureaucrats resisted the plan. The devout author was bitterly disappointed, but then he experienced an epiphany in which the Holy Spirit prompted him to follow “the path of inner surrender and resignation.” Later, the Vatican commissioned him to design a small chapel dedicated to the Holy Spirit. After praying for guidance, he and his colleagues received a burst of inspiration that “felt natural and comfortable…as if someone were holding our hands.” The result was an innovative, modernist design based on triangle motifs, featuring a series of sharply peaked roofs, a marble floor of richly colored triangular grids, and a glass partition looking out on an ancient Roman wall hung with sculptures depicting the Stations of the Cross. The chapel is so inviting, Astorino says, that it’s become Pope Francis’ favorite place to celebrate Mass. (The book also includes an admiring tribute to Pope Francis’ intellect, avoidance of luxury, love of the poor, and willingness to pose for pictures with pilgrims.) Astorino and debut co-author Carney, a Franciscan nun, infuse this engaging architectural appreciation and procedural with Catholic ardor throughout: “The lighting system—its source recessed and carefully hidden—would augment the contemplative atmosphere of the chapel and reflect the mystery of the Holy Spirit.” They also illustrate the heartfelt remembrance with many sumptuous photographs of the finished chapel as well as of various blueprints, models, and other Vatican scenes, including Michelangelo’s frescoes in the Sistine Chapel and Swiss Guards in their particolored pantaloons. Overall, this book will surely captivate architecture mavens and fans of Vatican atmospherics.
An intricate, visually lavish dive into a religiously influenced creative process.Pub Date: Dec. 20, 2018
ISBN: 978-1-4809-9990-9
Page Count: 157
Publisher: Dorrance Publishing Co.
Review Posted Online: June 26, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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