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THE MAGNIFICENT SIBERIAN

Bloodless stereotypes, a blurred focus, and implausible coincidences blight the promise of this preachy eco-thriller from the author of White Harvest (1994), etc. Here, homicidal reactionaries use an imposing Siberian tiger and her three cute cubs in a plot to overthrow post-Communist Russia's democratically elected government. Charbonneau sets the pot to boiling in the subarctic forests where coastal Russia shares a frontier with China and North Korea. Here in the taiga, American biologist Chris Harmon (a specialist in big cats who's engaged in a research project sanctioned by Moscow) shoots some incriminating film as he and a local game warden attempt to foil what appears to be a routine incursion by poachers into a restricted sector of the nature preserve they patrol. Once Harmon gets to Vladivostok, where his chums at the Global Wildlife Federation (GWF) office make an international incident of dramatic pictures of the tiger's wounding, the body count starts rising all over the port city. It develops that the callow young scientist's film has put some beastly riflemen as well as innocent felines in the frame. This discovery inconveniences a vaultingly ambitious, ultranationalist pol named Boris Provalev, who, as part of his plan to stage a media-abetted coup, has engineered logging contracts that could destroy habitat needed by the already endangered species. Accordingly, Provalev expands the brief of an ex-KGB assassin known as The Collector. Meanwhile, Lina Mashikova, a lissome GRU agent, latches onto Harmon, who believes she's a freelance journalist. When he and his fellow GWF travelers are not delivering extemporaneous sermonettes on humankind's environmental responsibilities, they lobby venal apparatchiks and world opinion in the cause of Siberian tigers. At the ho-hum close, however, it is Mashikova, her Red Army masters, and the militia that pull everyone's chestnuts from the fire. For all the exotic locales and creatures: really just another cat-and-mouse exercise.

Pub Date: April 20, 1995

ISBN: 1-55611-422-2

Page Count: 320

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1995

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PET SEMATARY

This novel began as a reworking of W.W. Jacobs' horror classic "The Monkey's Paw"—a short story about the dreadful outcome when a father wishes for his dead son's resurrection. And King's 400-page version reads, in fact, like a monstrously padded short story, moving so slowly that every plot-turn becomes lumberingly predictable. Still, readers with a taste for the morbid and ghoulish will find unlimited dark, mortality-obsessed atmosphere here—as Dr. Louis Creed arrives in Maine with wife Rachel and their two little kids Ellie and Gage, moving into a semi-rural house not far from the "Pet Sematary": a spot in the woods where local kids have been burying their pets for decades. Louis, 35, finds a great new friend/father-figure in elderly neighbor Jud Crandall; he begins work as director of the local university health-services. But Louis is oppressed by thoughts of death—especially after a dying student whispers something about the pet cemetery, then reappears in a dream (but is it a dream) to lead Louis into those woods during the middle of the night. What is the secret of the Pet Sematary? Well, eventually old Jud gives Louis a lecture/tour of the Pet Sematary's "annex"—an old Micmac burying ground where pets have been buried. . .and then reappeared alive! So, when little Ellie's beloved cat Church is run over (while Ellie's visiting grandfolks), Louis and Jud bury it in the annex—resulting in a faintly nasty resurrection: Church reappears, now with a foul smell and a creepy demeanor. But: what would happen if a human corpse were buried there? That's the question when Louis' little son Gage is promptly killed in an accident. Will grieving father Louis dig up his son's body from the normal graveyard and replant it in the Pet Sematary? What about the stories of a previous similar attempt—when dead Timmy Baterman was "transformed into some sort of all-knowing daemon?" Will Gage return to the living—but as "a thing of evil?" He will indeed, spouting obscenities and committing murder. . .before Louis must eliminate this child-demon he has unleashed. Filled out with overdone family melodrama (the feud between Louis and his father-in-law) and repetitious inner monologues: a broody horror tale that's strong on dark, depressing chills, weak on suspense or surprise—and not likely to please the fans of King's zestier, livelier terror-thons.

Pub Date: Nov. 4, 1983

ISBN: 0743412281

Page Count: 420

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Nov. 1, 1983

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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