A novel that is as exhilarating as it is moving; a fine achievement.
A young Southern boy travels to the Middle East to find his father in this delightful and intimate modern epic.
Guggenheim fellow and Whiting Award winner Edwards harnesses the best of his storytelling powers to tell the tale of Ramadan Ramsey, a young boy who is at once blessed with the fierce love and protection of his maternal grandmother, Mama Joon, and whose privileged place in her heart sparks the enmity of the rest of his family. The novel begins in 1999, when Mustafa Totah, a Syrian immigrant in New Orleans, takes a job at his uncle Adad’s convenience store. There, he meets Alicia Ramsey, a Black native of the city who beguiles him into breaking his Ramadan fast before sunset one day. Their love affair provokes the ire of uncle Adad, who informs Mustafa's family in Syria and sends him back. Unbeknownst to Mustafa, however, Alicia is pregnant with his child, whom she names Ramadan in an attempt to atone for having coaxed his father into breaking religious laws. Tragedy strikes again when Alicia dies of meningitis, leaving Ramadan under the guardianship of her mother, Mama Joon, who lavishes him with affection and, much to the chagrin of her eldest daughter, Clarissa, plans to bequeath him everything she owns, including her house. When Mama Joon dies, 12-year-old Ramadan decides to flee the wrath of the envious Clarissa and her vicious sons, traveling to the Middle East to find his father. Borrowing from the episodic structure of epic tales, the novel sustains a swift pace that only picks up momentum as it advances. The narrative voice is highly engaging, often combining humor and pathos in a single sentence so that even tragic events are imbued with lightness.
A novel that is as exhilarating as it is moving; a fine achievement.Pub Date: Aug. 10, 2021
ISBN: 978-0-06-301203-5
Page Count: 400
Publisher: Amistad/HarperCollins
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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