A moving and well-written saga of an earlier time in America.
Trubiano’s historical novel tells the story of the Italian immigrants who fought for survival and acceptance in Boston’s North End in the first half of the 20th century.
Domenic Bassini is 16 years old when he sets sail for America from his hardscrabble little village to make a better life for himself and perhaps improve the family fortunes. A shy, quiet kid, he nonetheless meets people on the voyage who will remain in his life (for good or ill), including Cologero Dragotto and his beautiful and shrewd young bride, Francesca, who seduces Domenic even before they land in Boston, and the spunky 10-year-old stowaway, Ermino Lentini. Once in Boston, Domenic, a stoic, steady worker, gets a job and keeps his head down. Domenic becomes Ermino’s protector by default, but the kid is a handful and drifts away, finally going full-bore into a successful life of crime. Early on, Ermino and Domenic have a run-in with young Colin O’Riley, the son of Brendan O’Riley—a very powerful police officer in the BPD; a generation-long enmity between the Bassinis and the O’Rileys will soon develop. Colin becomes a dirty and dangerous cop and the nemesis of Domenic’s son, Dommy, who’s a war hero, a scrupulously honest cop, and a beacon for the future. (As his wife, Martha, later says ruefully, “Dommy didn’t want to just be a cop. He wanted to be a saint.”) The narrative runs from 1914 to the 1950s and through three generations of triumphs and tragedies; the city of Boston is as much a character as the human characters. The author effectively illustrates the ways in which struggles for power in the city often resembled a fight between scorpions trapped in a bottle. The story covers the Brahmins, who lost Boston but controlled the State House; the Irish, who took over the BPD; the Italian Mafia and lesser gangs; and the often hilariously corrupt politicians. In the course of the tale, readers encounter the famous police strike of 1919, the Great Molasses Flood of that same year, the Spanish flu, and several cameo references (including Joseph Kennedy, Sacco and Vanzetti, and James Michael Curley).
A moving and well-written saga of an earlier time in America.Pub Date: June 1, 2024
ISBN: 978-1-963844-04-7
Page Count: -
Publisher: N/A
Review Posted Online: March 31, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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