Too cool for some readers; just right for others.
Edgy short stories about women in trouble abroad and at home from Ermelino (Joey Dee Gets Wise, 2015), the Reviews Director at Publishers Weekly.
“So there I was in Australia, in Sydney, working in a pub that recreated the Tyrolean Alps. I wore an appropriately humiliating costume and pink suede clogs….” “The ship ultimately left us, not in Singapore but on a tiny island off Malaysia that had never seen a tourist….” “Robin and Christina had a plan to meet in Le Havre and go on to Paris. In the flea market there they would buy backpacks, or as Robin, having been to Europe before, called them, rucksacks, and they would hitchhike, or as Robin called it, auto-stop, across Europe.” The characters in Ermelino’s 16 quick stories get around. They crack jokes, take opium, have ill-considered assignations, and are lucky to get out alive (some don’t). There are a lot of great lines and a few truly timeless questions (“Is Nicole Kidman wearing Zac Posen, and did she really buy her lasagna pan at Williams-Sonoma?” “They have room service in the Howard Johnson Motor Inn on Forty-Third Street?”), but it all goes by a little too quickly. Characters and situations are whisked away before we can really understand or get involved with them, and even very sad situations are presented with little emotion. Some of the stories are clearly more conceptual than narrative — “James Dean and Me,” for example, is an extended surrealist joke set on the Afghan border, which the narrator is trying to cross with her deceased movie-star friend. “Fish Heads” is a sketch about eating fish heads. “Where It Belongs” is a dark Italian folk tale–ish type thing set in Brooklyn.
Too cool for some readers; just right for others.Pub Date: Aug. 9, 2016
ISBN: 978-1-941411-29-2
Page Count: 192
Publisher: Sarabande
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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