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A. LINCOLN AND ME

A boy who shares Abraham Lincoln’s birthday muses on what Lincoln means to him. He’s tall and skinny and has big hands and feet, just like A. Lincoln (he didn’t like to be called Abe). “Big buttons on his coat. Big words in his heart. Big hands and big feet like mine” the boy notes as he passes a bronze statue of Lincoln while riding the school bus. When the boy’s buddies call him “Butterfingers” and “Butterfeet” because he stumbles into wet paint, his teacher tells him that Lincoln was called names such as “gorilla” and “baboon.” Lewin’s illustrations are the clear, realistically modeled watercolors readers have come to expect, placed over or against black-and-white drawings of Lincoln. These images of Lincoln at different points in his life make a powerful collage, which Lewin creates with fervor. There’s nothing preachy about Borden’s text, which makes the boy’s connection to this historical figure immediate, honest, and straightforward. It introduces Lincoln with beautiful simplicity to the youngest of children. (Picture book. 4-8)

Pub Date: Oct. 1, 1999

ISBN: 0-590-45714-4

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1999

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I WAS ONCE A MONKEY

STORIES BUDDHA TOLD

A book of the basic teachings of Buddha, presented through a collection of six classic, simple tales. When a monkey takes refuge from a monsoon in a cave, he happens upon a group of bickering animals—a monkey, lion, turtle, jackal, and dove. Before the fighting becomes too fierce, a small statue of Buddha begins to glow in the darkest corner. To pass the time—and to stop the fighting—wise Buddha spins enlightening stories of tolerance, endurance, sagacity, truthfulness, kindness, and clarity. Buddha recounts his past lives in many forms—from monkey to pigeon to willow tree—to his captive listeners. Such straightforward yet profound tales combine with the art and design for an example of bookmaking that is aesthetically pleasing in every way. Color-washed linoprints cleverly distinguish the stories from the black-and-white narrative frame, while an informative afterword offers brief background detail about Buddha and these six “birth stories” known as Jatakas. (Picture book/folklore. 4-7)

Pub Date: April 8, 1999

ISBN: 0-374-33548-6

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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NIGHT OF THE GOAT CHILDREN

A thrilling story, at once preposterous and divinely ingenious. The rude and awful outlaw Ubo Skald has laid siege to the kingdom of Beda; all the villagers and their stock have taken refuge behind Beda’s thick walls. Although the invaders have so far been kept at bay, Birgitta the Brave, the princess-ruler, is certain the seige will eventually succeed because they don’t have enough food. Counsel from the town elders is futile, for they are a witless lot; Birgitta devises a plan of her own. Among its highlights: dressing five mischievous village children as goats, a dangerous foray by the disguised princess to the outlaw camp, and a goodly dose of trickery that preys upon the robbers’ superstitions. This outrageous story is based on actual events—Swedes attacking a German town, children dressing as goats to confuse the invaders—tweaked only slightly by Lewis (Boshblobberbosh, 1998, etc.), who knows (and then retells) a good story when he hears it. Natchev’s paintings have the delicate and sumptuous qualities of religious icons, resembling the tapestries on which other grand stories have been told, but far funnier. (Picture book. 4-8)

Pub Date: March 1, 1999

ISBN: 0-8037-1870-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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