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THE MIGHTY RED

In this tender and capacious story, love and tragedy mingle along the river and into the world.

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The Red River of the North cuts a vivid track through the hardscrabble lives that anchor Erdrich’s surpassing North Dakota fiction.

This deft, almost winsome novel begins at night, with Crystal Frechette, a trucker. She’s hauling sugar beets and wearing “a lucky hat knitted by her daughter,” Kismet Poe. Her headlights are “peacefully cutting radiant holes in the blackness” when she glimpses a mountain lion vault across the road. It’s a sign, but of what? Kismet, finishing high school, is edgy, furious, and bored. Both Gary Geist, her school’s quarterback, and Hugo Dumach, a nerdy home-schooler, fixate on her as the angel destined to slay their wildly divergent demons. This nutty love triangle kickstarts the plot; Kismet, in a futile stab at avoiding teen marriage, slips from a bridge into the cold Red River, floating downstream until she’s rescued. But true love here is the kind between mother and daughter. This pair, beset by the 2008 economic meltdown, proves expert in “getting trapped but at least not giving up.” Around them, a recent, communal catastrophe on the frozen river stays murky through three-quarters of the story. In counterpoint, the town’s daffy book club dissects Eat Pray Love and The Road, each session blooming into comic set pieces. Erdrich reaches for some of her fictional staples: a waitressing gig, multiple viewpoints, and, always, mixed-heritage Native people trying to grasp and transmit that heritage. Her writing feels both effortless and wise. She notes a boy’s “shy armpits” and how a soundproofed house can feel “inhuman, maybe even violent.” Even if a minor character, the Catholic priest, bogs down in caricature, Erdrich has few equals in braiding landscape and sky into the marrow of her characters. Her poet’s origins are in full force as she folds in the sickening damage of fracking and pesticide-dependent agriculture, right alongside the sprouts of resistance.

In this tender and capacious story, love and tragedy mingle along the river and into the world.

Pub Date: Oct. 1, 2024

ISBN: 9780063277052

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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