An intriguing, well-written and poignant work that transcends its historical genre.

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AMERICAN BOYS

THE TRUE STORY OF THE LOST 74 OF THE VIETNAM WAR

This is history at its best: the riveting, realistic story of courageous sailors forgotten by their country.

During an exercise in the South China Sea on June 3, 1969, the destroyer USS Frank E. Evans was split in half after colliding with an Australian aircraft carrier. Seventy-four men perished. Although the ship was actively engaged in the Vietnam War, the names of these men have never been placed on the Vietnam Veterans Memorial in Washington, D.C. In her first book, seasoned journalist Esola brings the events and people involved vividly to life. She begins with a double-barreled prologue: first, a powerful description of the memorial wall, ending with Ann Armstrong Dailey’s realization that her brother Alan’s name is not on it. “It was like he was dead all over again,” their sister said. Next, a gripping account of the ship’s final moments puts readers right in the middle of the action: “Everything was going, rolling, topsy turvy. And fast.” What follows is a comprehensive yet uncannily personal history of this arcane footnote to the Vietnam War. Esola inhabits the minds and hearts of all players, from sailors to admirals to Kennedy, Johnson and Nixon. Many men, she discovers, joined the Navy (some at the behest of their parents) to avoid being drafted into the Army. She moves easily from their personal stories to politics to the reasons WWII vintage ships like the Evans—a “floating paint bucket”—were still in service. The story proceeds from the men’s enlistments and the ship’s role in Vietnam through to the accident and its aftermath. Later, Esola’s own growing involvement forces her to abandon journalistic detachment and join the effort to have these men recognized. Replete with black-and-white pictures, endnotes and incredibly detailed research, this book is both comprehensive history and a beautifully written human tale that reads like a novel: “Eunice Sage wore a short-sleeved black suit and matching gloves; a gold rose pinned to the center of her blouse glistened in the sun.” It should appeal not only to readers of military history, but to anyone who enjoys a well-told, fascinating tale.

An intriguing, well-written and poignant work that transcends its historical genre.

Pub Date: Sept. 2, 2014

ISBN: 978-0996057400

Page Count: 452

Publisher: Pennway Books

Review Posted Online: Oct. 20, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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