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DREAM-WEAVER

Lawrence (Keeper of the Universe, 1993, etc.) presents the story of wealthy space colonists fleeing an ecologically damaged Earth in droves for a chance to live on a virgin planet. Troy, 17, and his parents, after working for years as starship crew, have finally been credited passage; as the ship departs, Troy has visions of a beautiful young alien girl who tries to communicate with him. The focus shifts to the planet Arboth, where Eth, the girl in Troy's visions, is training as a dream-weaver, an individual capable of astral projection. Eth has had visions of Troy's spaceship landing on Arboth and of the colonists subjugating her people. The only recourse for Eth and her fellow Arbothians is the use of her psychic powers to force the ship to land on the neighboring planet, Malroth. While the numerous scenes between Troy and Eth are rife with sexual tension, their relationship remains ethereal, and once the starship lands, Troy makes an about-face, abruptly attracted to snobbish and spoiled Hannah Guttenham. Lawrence skillfully balances the ship scenes, which read like hard sf, with the scenes on Arboth, which are closer to fantasy. The lack of any sort of consummation between the teens is unsatisfying: While the author may be content with Eth's mention that the pair might meet in the future, as friends, readers won't be. Indeed, Troy's choice of Hannah seems entirely out of character. The hasty and unexpected ending is a disappointment in an otherwise promising interstellar adventure. (Fiction. 9+)

Pub Date: Oct. 18, 1996

ISBN: 0-395-71812-0

Page Count: 240

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1996

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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