A superpowered mystery shrouded in mysticism and history whose power endures past its closing revelations.
Penny, who’s never met a story idea big enough to daunt her, unspools the endless puzzles surrounding a corpse whose identity isn’t known but whose status as a murder victim is clear.
“There’s a body in Lost Nation,” a dead-of-night telephone call informs Chief Inspector Armand Gamache, head of the homicide division at the Sûreté du Québec. Why is the informant calling Gamache’s personal line, and how did they get his number? For that matter, who placed the call? It certainly wasn’t Clara Morrow, the Gamaches’ neighbor and friend, whose phone seems to have been used by someone who visited her home. And where is Lost Nation? This last question, at least, yields an answer: It’s an Indigenous burial ground that’s been overgrown with trees and, more recently, a corpse too badly decomposed to be readily identified. An autopsy reveals that the victim was beaten to death. In the absence of further clues to his identity, Gamache and his colleagues focus on May 29, 1914, the date engraved on the otherwise unreadable headstone over the gravesite where the body was found. The trail to the killer leads back to a 1967 interview genealogist Jeannette Bouchard conducted with local historian Flossy Fuller the day before they were both killed in a car crash, and still further back to the real-life sinking of the Empress of Ireland, an ocean liner as unfamiliar to Penny’s characters as it will be to most of her readers. Even after Gamache has arrested the responsible parties, the biggest riddle remains: the secret of the balefully ugly plant known as Miss Wolcott’s Ghost.
A superpowered mystery shrouded in mysticism and history whose power endures past its closing revelations.Pub Date: Oct. 20, 2026
ISBN: 9781250412607
Page Count: 400
Publisher: Minotaur
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
Another gem from Lippman, with a heroine who elevates being ordinary to an art form.
An ordinary woman finds extraordinary adventures on a river cruise on the Seine.
Muriel Blossom acknowledges that she’s a “no-frills” person, a trait that served her well when doing surveillance for Baltimore PI Tess Monaghan. When she gets an unexpected upgrade on her British Airways flight to Paris, she finds herself not only in business class, but on the other side of the looking glass. Allan Turner, a handsome stranger, befriends her in the Chesapeake Lounge, which her upgrade allows her to access. She misses her connection at Heathrow because of the weather, so he invites her to share his luxurious suite in a London hotel, paid for, he insists, by his firm. Then he sends her off on the Eurostar train to reach Paris via the Chunnel in time for her ship’s departure. Once in Paris, she meets another stranger, younger but equally attentive. Danny Johnson takes her to a friend’s atelier in the Marais where the plus-sized Muriel can find the fashionable clothing she deserves. A mysterious man in a bellman uniform knocks on her hotel-room door and invites her to leave her luggage in the hallway so it can be transferred overnight to her ship, but of course she realizes that’s nonsense. She also receives the news that Allan died in a fall from his balcony the night after she left London. When Danny turns up on her cruise, she knows something’s off, but she can’t put together the pieces. That’s because Lippman is unrivaled in her ability to lay out clues in a way that makes them seem not only mysterious, but downright surreal. Only at the end does everything fit together so naturally that it all seems blazingly obvious. Like Muriel, who’s patient and sensible to the end, you’ll just have to wait.
Another gem from Lippman, with a heroine who elevates being ordinary to an art form.Pub Date: June 17, 2025
ISBN: 9780062998101
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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