Cerebral, wise and compassionate, Gamache is destined for stardom. Don’t miss this stellar debut.
Three Pines, an appealing Quebecois community, is shaken by the death of a beloved longtime village schoolteacher and unsung artist.
Chief Inspector Armand Gamache and his team find that Miss Jane Neal has been shot through the heart with an arrow. Is it a hunting accident or murder? Gamache sets up shop in the charming village B&B owned by a gay couple but is suspended when he refuses to arrest a local bowman who confesses after his sullen son is fingered for the crime. His longtime associate Beauvoir takes over while Gamache ponders the case. Jane, who never exhibited her work, had just had an astonishing folk art painting accepted for a show. Her obnoxious niece Yolande, who can’t wait to get into Jane’s house, gets a court order to keep the police out. Meanwhile, an equally arrogant trainee has not done her job checking wills, and a new one turns up leaving almost everything to Jane’s neighbor Clara Morrow, a married artist who’d been like a daughter to Jane, whose youthful romance had been quashed by her parents. Because no one had ever been allowed past Jane’s kitchen, everyone’s dumbfounded to find walls, recently covered by Yolande in appalling wallpaper, full of murals. The slight difference Clara notices between the murals and Jane’s painting holds the clue to her murder.
Cerebral, wise and compassionate, Gamache is destined for stardom. Don’t miss this stellar debut.Pub Date: July 17, 2006
ISBN: 0-312-35255-7
Page Count: 320
Publisher: Dunne/Minotaur
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2006
PERSPECTIVES
BOOK TO SCREEN
BOOK TO SCREEN
It’s obvious where all this is going, but Box gets you there, in one of most tightly wound tales, with more thrills than a...
Fired after his last colorfully insubordinate outing (The Disappeared, 2018), Wyoming Fish and Game Warden Joe Pickett is back on the job in Twelve Sleep County just in time to follow the trail from a routine misdemeanor to a quartet of hired killers.
Katelyn Hamm, Joe’s counterpart in Shell County, is saddened and angry to see a herd of terrified mule deer fleeing, some to their deaths, from an unregistered drone aircraft that disappears in the direction of Twelve Sleep County. This isn’t the first time locals have spotted the drone, and Katelyn wants Joe to track down its owner. Joe obligingly traces the rogue aircraft to the compound of Bill Hill, who gets him just as furious as Katelyn by freely admitting the offense, crumpling up the citation Joe gives him, refusing to follow him to the sheriff’s office, and assuring Joe that he’ll never have to answer the charge—and that Joe himself will be in trouble if he presses too hard. Trouble promptly arrives in the form of two FBI agents from the nation’s capital who warn first Katelyn, then Joe, off the case, which they consider no big deal compared to the threat against thousands of lives—“maybe tens of thousands….Maybe millions”—they’re handling but refuse to identify. Meanwhile, four professional killers, including a particularly fatal female, are headed to Twelve Sleep County from Arizona, where they’ve just killed their latest target, his wife, and a friend who happened to have stopped by. Squeezed between the feds and the Wolf Pack, a murderous arm of the Sinaloa drug cartel, Joe will himself be targeted, along with Katelyn, the FBI agents, the local sheriff, his wife’s best friend, and his own friend the outlaw falconer Nate Romanowski, for elimination before the killers can move on to their real target.
It’s obvious where all this is going, but Box gets you there, in one of most tightly wound tales, with more thrills than a snowy road on a steep mountain and more authority than the governor of Wyoming.Pub Date: March 12, 2019
ISBN: 978-0-525-53819-6
Page Count: 384
Publisher: Putnam
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Tattoo artists will be interested in the as-if-born-in-fire origins of Lisbeth’s body art, while fans of Larsson, while...
“First you find out the truth. Then you take revenge.” Thus the ninjalike guiding ethos of Lagercrantz’s (The Girl in the Spider's Web, 2015, etc.) latest installment in the Lisbeth Salander series.
One thing that anyone who’s crossed paths with Lisbeth, the lethal heroine who bowed into the world of mystery with the late Steig Larsson’s Girl with the Dragon Tattoo (2008), should have learned by now is that it’s best not to cross paths with her at all. That’s a lesson Benito learns the hard way: the gang leader in Flodberga Prison, where Lisbeth finds herself after yet another brush with the law, interrupts Lisbeth’s studies of mathematics and quantum mechanics one too many times, picking on Faria, a young Bangladeshi inmate, and ends up just this side of death. She had it coming, of course, but the whole encounter opens up a whole 'nother can of worms, from shadowy immigrants to Russian hackers and crusading journalists and—well, suffice it to say that, in a turn reminiscent of Jean-Christophe Grangé’s Crimson Rivers, there’s some genetic tinkering with twins involved, too. Whether Lisbeth’s doppelgänger is dragon-adorned awaits the reader’s investigation, but most of the action, always satisfying if sometimes a little far-fetched, centers on Lisbeth and her various and often violent encounters with corrupt prison officials and guards, corrupt CEOs, corrupt mental health professionals, corrupt government workers, and—the list of not-so-nice people goes on, and Lisbeth, as always, serves as an avenging angel who herself isn’t the nicest of people. Lagercrantz, Larsson’s appointed heir, does serviceable work in all this, and if his version lacks some of Larsson’s ironic touch and politically charged contempt for the nasty undercurrents flowing beneath Sweden’s clear waters, he doesn’t falter in the mayhem department.
Tattoo artists will be interested in the as-if-born-in-fire origins of Lisbeth’s body art, while fans of Larsson, while perhaps not thrilled, certainly won’t be disappointed.Pub Date: Sept. 12, 2017
ISBN: 978-0-451-49432-0
Page Count: 368
Publisher: Knopf
Review Posted Online: Sept. 6, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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