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DANCE WITH ME

A return to what the author does best: heartfelt family drama, gracefully written and poignant.

You can go home again.

As Margaret Porter drifts into happy senility, Sylvie, her dutiful daughter (a school librarian), takes over her care. Jane, her wayward daughter (a baker of upscale goodies), comes back from New York to the family’s rural Rhode Island home, carrying a gooey, sugary cake for her diabetic mother’s birthday. Sylvie scolds and Jane feels as if she can’t do anything right. And she still feels guilty over the secret that their mother has seemingly forgotten. The years are slipping by faster and faster, but Twin Rivers hasn’t changed all that much—has she? Jane doesn’t really know. Driving down a rural road, she spies a ruggedly attractive man working in the old orchard that belongs to the Chadwicks, the adoptive parents of Chloe, a headstrong but charming teenager, warmly and believably drawn by author Rice (The Perfect Summer, 2001), etc.). Chloe champions vegan beliefs and is generally given to eccentric behavior that distresses her straight-arrow parents. But shy Jane befriends the girl and wastes no time falling in love with Dylan Chadwick, the man she saw in the orchard. He’s a retired US Marshal from New York whose estranged wife and beloved daughter died in a shooting. Chloe is close to him—and has no idea that Jane is her birth mother, or that Jane was pressured into giving her up by Margaret, who’d raised her own two daughters by herself when their good-for-nothing father skipped out. An imperfect but much deserved happy ending awaits all. Thankfully, Rice keeps it real this time and skips the contrivances—child angels, blind heroes, overwrought suspense—that plagued her recent outings.

A return to what the author does best: heartfelt family drama, gracefully written and poignant.

Pub Date: Feb. 17, 2004

ISBN: 0-553-80227-5

Page Count: 336

Publisher: Bantam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 15, 2003

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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