A return to what the author does best: heartfelt family drama, gracefully written and poignant.

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DANCE WITH ME

You can go home again.

As Margaret Porter drifts into happy senility, Sylvie, her dutiful daughter (a school librarian), takes over her care. Jane, her wayward daughter (a baker of upscale goodies), comes back from New York to the family’s rural Rhode Island home, carrying a gooey, sugary cake for her diabetic mother’s birthday. Sylvie scolds and Jane feels as if she can’t do anything right. And she still feels guilty over the secret that their mother has seemingly forgotten. The years are slipping by faster and faster, but Twin Rivers hasn’t changed all that much—has she? Jane doesn’t really know. Driving down a rural road, she spies a ruggedly attractive man working in the old orchard that belongs to the Chadwicks, the adoptive parents of Chloe, a headstrong but charming teenager, warmly and believably drawn by author Rice (The Perfect Summer, 2001), etc.). Chloe champions vegan beliefs and is generally given to eccentric behavior that distresses her straight-arrow parents. But shy Jane befriends the girl and wastes no time falling in love with Dylan Chadwick, the man she saw in the orchard. He’s a retired US Marshal from New York whose estranged wife and beloved daughter died in a shooting. Chloe is close to him—and has no idea that Jane is her birth mother, or that Jane was pressured into giving her up by Margaret, who’d raised her own two daughters by herself when their good-for-nothing father skipped out. An imperfect but much deserved happy ending awaits all. Thankfully, Rice keeps it real this time and skips the contrivances—child angels, blind heroes, overwrought suspense—that plagued her recent outings.

A return to what the author does best: heartfelt family drama, gracefully written and poignant.

Pub Date: Feb. 17, 2004

ISBN: 0-553-80227-5

Page Count: 336

Publisher: Bantam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 15, 2003

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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