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THE LEMON ORCHARD

Lovely and compelling, with quiet yet brave social commentary that enhances the book’s impact.

Five years after the death of her daughter, Julia comes to Malibu to house-sit and is drawn to the overseer of the orchard property, an illegal immigrant who has his own tragic past.

When Julia’s aunt and uncle ask her to stay in their Malibu home while they travel to Ireland for a research project, she welcomes the opportunity. Tucked into the Santa Monica Mountains with its lemon grove and views of the sea, the Malibu property has been a sanctuary for Julia her whole life, so different from her starchy, academic East Coast upbringing. Now it serves as a different kind of refuge—an escape from the memories of her daughter that are so entwined with the New England home she can’t bear to move out of yet can’t seem to move forward in either. Hiking the area woods and through the property, Julia runs into the handsome overseer, Roberto, and finds herself drawn to him in a way she doesn’t understand, until she realizes he has lost a daughter, too, during their arduous and dangerous trek from Mexico into the U.S. As the story unfolds, the arresting tale of Roberto’s loss wakes Julia up from the apathy she’s experienced since Jenny’s death, and, with her background as an anthropologist, she’ll delve into the moving plight of immigrants from Latin America as a whole and Roberto’s heart-wrenching experience in particular, while putting together the pieces of a puzzling mystery that may ultimately tear her from the first person to touch her heart since the day she lost her daughter. Rice here takes her signature themes of family and loss into the difficult and enigmatic landscape of illegal immigration to powerful effect (though readers may question the likelihood of the romantic elements of the storyline). An engaging and texturizing Southern California backdrop also subtly spotlights the struggle of land development and the environment as well as the fairy-tale atmosphere of Hollywood, and the book seamlessly includes details and plot points that both ground and enrich the story through its setting.

Lovely and compelling, with quiet yet brave social commentary that enhances the book’s impact.

Pub Date: July 2, 2013

ISBN: 978-0-670-02527-5

Page Count: 304

Publisher: Pamela Dorman/Viking

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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