More a romance than a realistic take on love and family, but Rice fans won’t mind.

SAFE HARBOR

Another misty-eyed tale of family ties that bind, with the addition of a trendy love affair between an older woman and a younger man as a sister confronts a mystery and takes charge of her two nieces.

Rice is a deft scene-setter and sketcher of character, and here, her hero Sam, the skinny “wharf rat” from Newport who became a Yale professor of oceanography, is a standout. The storyline, though initially promising, is less satisfactory. When his sailing instructors, the beautiful Underhill sisters Dana and Lily (first met in Firefly Beach, 2001), rescued eight-year-old Sam Trevor from drowning in Newport harbor, he vowed that he would protect them forever. Twenty-plus years later he finds himself doing just that as he meets up with Dana, now a successful painter who lives abroad but is in the US to take her nieces Quinn and Allie back to France with her, since the nieces’ parents, Lily and Mike, drowned the previous summer during a midnight sail across Long Island Sound. But Dana’s plan to return to France is stalled by Quinn, who, going on 13, is determined not to leave the spot where she keeps vigil every night for her dead parents. Sam meets Dana at a local showing of her work, and soon she’s depending on him for help with the two girls. After they miss their plane to France, Dana, suffering from painter’s block as well as from a failed love affair, decides to stay on, at least for the summer. She learns that there’s a mystery about Lily’s death and that Quinn is deeply troubled by something. Sam helps Dana do some low-key detecting, but when Quinn asks Sam to investigate the wreck, and he does, answers—as well as affirmations—soon follow.

More a romance than a realistic take on love and family, but Rice fans won’t mind.

Pub Date: Jan. 29, 2002

ISBN: 0-553-80218-6

Page Count: 336

Publisher: Bantam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2001

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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