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THE SECRET HOUR

Formulaic but an effective blend of sentiment and suspense, somewhat less contrived than Rice’s last (Summer Light, 2001).

Dark doings in Connecticut.

Defense attorney John O’Rourke knew he’d win no popularity contests when he agreed to represent Greg Merrill, the serial killer who liked to torture his female victims until barely still alive, then leave them bound to breakwaters or jetties until high tide drowned them. John is uncomfortably aware that even his own children don’t think much of his legal heroics on behalf of such a monster. Teenaged Teddy just wishes his father did something else for a living, but young Maggie still adores her handsome daddy. Both children are coping with the aftermath of their mother’s recent death in a car accident—geez, wonders Teddy, can’t Dad stop hanging around Death Row and come home once in a while? Several babysitters have come and gone, and John is desperate. No wonder he mistakes Kate Harris, a quiet stranger, for another candidate from the agency, while she’s really a marine biologist looking for her missing sister Willa. Kate and John’s life stories begin to unfold: John’s wife had an affair with the local lighthouse keeper; Kate’s sister had an affair with Kate’s charming but irresponsible husband Andrew. So, yes, Kate and John are Free to Love Again. But first . . . where’s Willa? Last seen at a local bed-and-breakfast, Willa has seemingly vanished. Danger lurks! Though Merrill is in prison, a copycat has struck, leaving his victim to drown on a breakwater. Will Willa be next? John consults psychiatrist Dr. Beckwith, who explains the inner workings of Merrill’s disturbed mind and mentions a creepy new development: one of his patients, Caleb, is Merrill’s pen pal. Caleb is the son of the lighthouse keeper—and an isolated lighthouse, Kate thinks, is an ideal place to hide someone, alive or dead. A gothic denouement on a stormy night leads up a twisting staircase into a secret dungeon.

Formulaic but an effective blend of sentiment and suspense, somewhat less contrived than Rice’s last (Summer Light, 2001).

Pub Date: Feb. 4, 2003

ISBN: 0-553-80224-0

Page Count: 319

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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