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O.K. YOU MUGS

WRITERS ON MOVIE ACTORS

A heartfelt if uneven collection on the stars and zhlubs worth remembering. Embracing a personal, not theoretical, approach to film (where it’s “just you and that mug up there on screen”), Sante (Low Life, 1991, etc.) and Pierson (The Perfect Vehicle: What It Is About Motorcycles, 1997) undertake a “proper investigation of the screen’s ordinary Joes” and the stars who “render themselves ordinary” to viewers. Readers who spent childhoods awash in The Million-Dollar Movie will be pleased with the homages to the scene-stealing character actors who ensured that the story ahead would be jake. Sante does a cheery roundup of worthy (and half-forgotten) male suspects like Andy Devine, Ralph Bellamy, and Raymond Burr, who, Sante posits, “would have made a better Goldfinger.” In a lovely ode to “Warner Bros. Fat Men,” Dana Gioia bemoans the current cinematic world where “even the heavies are skinnies” and honors past corpulent heroes Sydney Greenstreet and Eugene Pallette, both of whom require a citation from Thomas Aquinas to define their beauty. Charles Simic conveys the erotic hold Gene Tierney had on postwar viewers, including himself, on the strength of one film, Laura. John Updike does likewise for his heartstopper, Suzie Creamcheese—a.k.a Doris Day. Elsewhere Day’s Pillow Talk co-star Thelma Ritter is given her due as an alternative persona for any non-heartstopping female viewer. For those who accept that good films have been made since The Godfather, there’s a tidy analysis of Robert Carlyle’s appeal and an enlarging look at J. T. Walsh. But some of the appreciations don’t convince, such as those for Timothy Carey, Jeanne Moreau, and Jean Arthur. Like an old drive-in double bill of Bananas and Kotch, the works here span the memorable and the middling. But the faces invoked will remain, sending readers running to Blockbuster for Casablanca or Rear Window—and not just to see the stars. (b&w photos, not seen)

Pub Date: Oct. 22, 1999

ISBN: 0-375-40101-6

Page Count: 304

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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