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FATHERMOTHERGOD

MY JOURNEY OUT OF CHRISTIAN SCIENCE

Wrenchingly courageous.

In this powerfully affecting memoir, ex–Christian Scientist Greenhouse tells the story of how her parents’ fervent adherence to their religion tore the family irrevocably apart.

From the outside, the author’s comfortable Minnesota childhood seemed perfect. She and her two siblings grew up going to the best schools surrounded by a host of loving relatives. Unlike the other members of their extended family, however, the Ewing clan was different. They were Christian Scientists who did not believe in taking medicines of any kind, including aspirin. From an early age, the author was all too aware “of the difference between the way my family does things and the way other people do [them],” and of the irony that her mother was a doctor’s daughter. Over time, her parents’ beliefs deepened. Soon after the author’s 13th birthday, the family moved to London so her father could become a Christian Science practitioner (or faith healer) and her mother a Christian Science nurse. Four years later, they returned to New Jersey where they found a home near a Christian Science care facility. Greenhouse became more openly rebellious, expressing her defiance by buying a pair of much-needed eyeglasses. When her mother became sick with a mysterious illness—a “little problem” later identified as cancer—underlying family tensions came to an explosive head. Both parents vehemently denied her mother’s rapidly deteriorating condition. For nine horrific months, the author stood helplessly by as her mother fought her disease armed only with the belief that all illness was error. With its meditations on the many whys of this event, the narrative reads like a personal exorcism, but Greenhouse’s skill in rendering family relationships under the intersecting stresses of illness and conflicting beliefs make the book worthwhile—but difficult—reading.

Wrenchingly courageous.

Pub Date: Aug. 9, 2011

ISBN: 978-0-307-72092-4

Page Count: 320

Publisher: Crown

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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