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OUTWITTING THE GESTAPO

A suspenseful rendering of Aubrac's experiences as a French Resistance fighter during WW II. This memoir owes its existence to the 1983 extradition to France of Klaus Barbie, the ``Butcher of Lyon'': In order to refute Barbie's defenders and former collaborators, Aubrac told her story publicly for the first time- -and it became a bestseller in France. Focusing on a nine-month period that begins with the conception of her second child, Aubrac looks back 40 years at experiences of enduring intensity. During the war, the author, her Jewish husband Raymond, and other ``resistants'' published and distributed underground newspapers, found new identities and homes for fugitives, forged permits, stole guns, and blew up roads and bridges—all routine Resistance activities. What makes this account special, however, is Aubrac's irrepressible energy and resourcefulness, and the graceful way in which she interweaves her separate but parallel lives. As a mother and wife struggling in a wartime economy, she bartered for hard-to-find items; as a devoted schoolteacher, she applied the lessons of history to current events; as a secret member of the Resistance, she couldn't disclose her true identity even to her most trusted colleagues, switching names and identities like a quick-change artist. Three times, she helped free her husband from prison. The last incarceration was the most harrowing: Walking into a trap, Raymond was arrested, tortured, and sentenced to die by Barbie himself. Despite her anguish, Aubrac tricked her husband's captors into meetings and masterminded an intricate rescue. The Aubracs' escape by airlift to London, where their baby was born, is tremendously exciting. A breathtaking account that feeds the soul as much as it satisfies the appetite for vicarious danger. (Seven b&w photographs—not seen)

Pub Date: May 28, 1993

ISBN: 0-8032-1029-9

Page Count: 256

Publisher: Univ. of Nebraska

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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