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MY FATHER’S SECRET WAR

A MEMOIR

A sturdy but overgrown narrative in need of substantial pruning.

A reporter for the New York Times, emotionally estranged from her father for most of her adult life, reconciles with him as she gradually, then obsessively, uncovers the story of his covert military activities during World War II.

Franks, author of the novel Wild Apples (1991), begins with a childhood memory—wiping out on her bicycle, then lying bloody in her father’s sheltering arms. But, as she quickly notes, there was little intimacy between them thereafter. She was angry with him for his ill treatment of her mother (who died in 1976), which included a long affair with a woman named Pat; for his slovenliness later on (she describes having to clean out his apartment); for his emotional coldness; for his refusal to talk about anything of consequence. But while cleaning up after him one day, she discovers in a box of items from the war some Nazi memorabilia. Thus begins the journey presented here, one filled with discoveries—about her father’s role as a spy (and assassin) in both theaters of the war, about her parents’ love (and its dissolution), about religion, about the author’s roles as sister, wife, mother. As she gradually begins to coax her father to talk about his past, complications arise: He exhibits signs of dementia, then is diagnosed with terminal cancer. But before he dies, she has come, through her understanding of him, to love him once again. There are tears and lumps in her throat. At the moment of his death, she sees a disturbance in the air around his bed, decides it’s God and practices thereafter a religious life that she abandoned long before. Much of her story deals with her research and with her discoveries, including a packet of love letters her father wrote to her mother during the war. She quotes long—often too-long—passages from them. She also reminds us throughout that she won a Pulitzer in 1971.

A sturdy but overgrown narrative in need of substantial pruning.

Pub Date: March 14, 2007

ISBN: 1-4013-5226-X

Page Count: 352

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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