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THE SEVEN SISTERS

Name: THE SEVEN SISTERS
Author: Lucinda Riley
ISBN: 978-1-4767-5990-6

From the The Seven Sisters series , Vol. 1

by Lucinda Riley ‧ RELEASE DATE: May 5, 2015

Although the conceit of six sisters searching for their birth parents is certainly intriguing, one hopes the future books...

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Launch of a projected series about six sisters who were adopted from all over the world by a mysterious Swiss tycoon.

When word comes of the death of the seafaring adoptive father they fondly called Pa Salt, his six daughters gather at Atlantis, the estate on Lake Geneva where they grew up. The eldest, Maia—each daughter is named for a star in the Seven Sisters cluster, though a seventh sister never arrived—is the only one who hasn't left the nest: she works from home as a translator. Pa Salt left a will providing all his daughters with the means to pursue their wildly divergent paths but with specific instructions that each investigate her origin. The clues provided by Pa Salt—a moonstone necklace, a set of coordinates, and a triangular stone tile—lead Maia to a crumbling mansion in Rio de Janeiro; the sole inhabitants, an old woman named Senhora Carvalho and her maid, Yara, are initially suspicious but relent when they note a family resemblance. A mammoth flashback comprises the bulk of the book. In 1927, Maia’s great-grandmother Izabela “Bel” Bonifacio, the daughter of a wealthy Italian coffee grower, is betrothed to Gustavo Cabral, scion of one of Rio’s most aristocratic Portuguese families. The Cabrals need the Bonifacio money, and the Bonifacios need the Cabrals’ social cachet. Against a backdrop of the Great Depression and the building of Rio’s giant statue of Christ, a tangled tale unspools of Bel’s affair with a Parisian sculptor, of Gustavo’s despair and forgiveness, and of Beatriz, the child of dubious parentage born to them. Maia’s interview with the dying Beatriz reveals additional startling clues about her lineage. The novel churns through a lot of exposition and logistics before racing to a satisfactory payoff. Maia’s frame story seems almost an afterthought, though—the Bonifacio-Cabral saga is clearly the main event.

Although the conceit of six sisters searching for their birth parents is certainly intriguing, one hopes the future books will achieve a better balance between past and present.

Pub Date: May 5, 2015

ISBN: 978-1-4767-5990-6

Page Count: 480

Publisher: Atria

Review Posted Online: Feb. 13, 2015

Kirkus Reviews Issue: March 1, 2015

Categories:

GENERAL FICTION

- BOOK REVIEW
THE SUN SISTER
by Lucinda Riley

- BOOK REVIEW
THE MOON SISTER
by Lucinda Riley

- BOOK REVIEW
THE PEARL SISTER
by Lucinda Riley

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

- BOOK REVIEW
THE LAND OF SWEET FOREVER
by Harper Lee ; edited by Casey Cep

- BOOK REVIEW
GO SET A WATCHMAN
by Harper Lee

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

by Larry McMurtry ‧ RELEASE DATE: June 1, 1985

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This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.