Another pleasant jaunt down a genealogical rabbit hole.
Third in Riley’s Seven Sisters series (The Storm Sister, 2016, etc.) about adopted daughters in search of their ancestry.
Star, real name Asterope after one of the “seven sisters” of the Pleiades star cluster, has, upon the recent death of her adoptive father, a wealthy Swiss seafarer, returned to her childhood chateau on Lake Geneva to retrieve his legacy to her: a figurine of a black panther, the address of a bookshop in London, and a name, Flora MacNichol. Star has given up dreams of academe to stay close to sister CeCe in London—so symbiotic is their relationship that Star has always been known as CeCe’s shadow. Star visits the bookshop, whose eccentric proprietor, Orlando Forbes, comes from impoverished nobility. When she learns that Flora, her presumed ancestor, may be related to Orlando, she accompanies him to the family seat, High Weald, in Kent, where she meets Orlando’s truculent brother Mouse, their cousin Marguerite Vaughan, and her young son Rory, heir to the estate. Star is immediately drawn to the crumbling hall and the surrounding flora and fauna. She consults journals she finds in the mansion and learns that in 1909, Flora gave up her true love, Archie, Lord Vaughan, to her younger sister Aurelia. For reasons not immediately revealed, Aurelia is the repository of her landed but cash-poor family’s hopes and limited resources, while Flora is treated like a stepchild despite her beauty and talent. (Flora is an animal lover and budding naturalist who will later become a protégé of Beatrix Potter.) After her parents sell their beloved country home to fund Aurelia’s dowry, Flora is sent to live with Mrs. Keppel, a society grand dame rumored to be King Edward’s mistress. With Mrs. Keppel’s help, Flora seems slated for an advantageous but loveless match to a drunken earl. The frame story structure serves this installment well—the past and present narratives are equally engaging. The storytelling is leisurely, almost to excess, then suddenly the stakes heighten as the Forbes-Vaughan connection is illuminated and Star discovers her true heritage and destiny.
Another pleasant jaunt down a genealogical rabbit hole.Pub Date: April 25, 2017
ISBN: 978-1-4767-5994-4
Page Count: 528
Publisher: Atria
Review Posted Online: Feb. 5, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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