Although the conceit of six sisters searching for their birth parents is certainly intriguing, one hopes the future books...
Launch of a projected series about six sisters who were adopted from all over the world by a mysterious Swiss tycoon.
When word comes of the death of the seafaring adoptive father they fondly called Pa Salt, his six daughters gather at Atlantis, the estate on Lake Geneva where they grew up. The eldest, Maia—each daughter is named for a star in the Seven Sisters cluster, though a seventh sister never arrived—is the only one who hasn't left the nest: she works from home as a translator. Pa Salt left a will providing all his daughters with the means to pursue their wildly divergent paths but with specific instructions that each investigate her origin. The clues provided by Pa Salt—a moonstone necklace, a set of coordinates, and a triangular stone tile—lead Maia to a crumbling mansion in Rio de Janeiro; the sole inhabitants, an old woman named Senhora Carvalho and her maid, Yara, are initially suspicious but relent when they note a family resemblance. A mammoth flashback comprises the bulk of the book. In 1927, Maia’s great-grandmother Izabela “Bel” Bonifacio, the daughter of a wealthy Italian coffee grower, is betrothed to Gustavo Cabral, scion of one of Rio’s most aristocratic Portuguese families. The Cabrals need the Bonifacio money, and the Bonifacios need the Cabrals’ social cachet. Against a backdrop of the Great Depression and the building of Rio’s giant statue of Christ, a tangled tale unspools of Bel’s affair with a Parisian sculptor, of Gustavo’s despair and forgiveness, and of Beatriz, the child of dubious parentage born to them. Maia’s interview with the dying Beatriz reveals additional startling clues about her lineage. The novel churns through a lot of exposition and logistics before racing to a satisfactory payoff. Maia’s frame story seems almost an afterthought, though—the Bonifacio-Cabral saga is clearly the main event.
Although the conceit of six sisters searching for their birth parents is certainly intriguing, one hopes the future books will achieve a better balance between past and present.Pub Date: May 5, 2015
ISBN: 978-1-4767-5990-6
Page Count: 480
Publisher: Atria
Review Posted Online: Feb. 13, 2015
Kirkus Reviews Issue: March 1, 2015
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
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