by Lucinda Riley ‧ RELEASE DATE: April 25, 2017
Another pleasant jaunt down a genealogical rabbit hole.
Third in Riley’s Seven Sisters series (The Storm Sister, 2016, etc.) about adopted daughters in search of their ancestry.
Star, real name Asterope after one of the “seven sisters” of the Pleiades star cluster, has, upon the recent death of her adoptive father, a wealthy Swiss seafarer, returned to her childhood chateau on Lake Geneva to retrieve his legacy to her: a figurine of a black panther, the address of a bookshop in London, and a name, Flora MacNichol. Star has given up dreams of academe to stay close to sister CeCe in London—so symbiotic is their relationship that Star has always been known as CeCe’s shadow. Star visits the bookshop, whose eccentric proprietor, Orlando Forbes, comes from impoverished nobility. When she learns that Flora, her presumed ancestor, may be related to Orlando, she accompanies him to the family seat, High Weald, in Kent, where she meets Orlando’s truculent brother Mouse, their cousin Marguerite Vaughan, and her young son Rory, heir to the estate. Star is immediately drawn to the crumbling hall and the surrounding flora and fauna. She consults journals she finds in the mansion and learns that in 1909, Flora gave up her true love, Archie, Lord Vaughan, to her younger sister Aurelia. For reasons not immediately revealed, Aurelia is the repository of her landed but cash-poor family’s hopes and limited resources, while Flora is treated like a stepchild despite her beauty and talent. (Flora is an animal lover and budding naturalist who will later become a protégé of Beatrix Potter.) After her parents sell their beloved country home to fund Aurelia’s dowry, Flora is sent to live with Mrs. Keppel, a society grand dame rumored to be King Edward’s mistress. With Mrs. Keppel’s help, Flora seems slated for an advantageous but loveless match to a drunken earl. The frame story structure serves this installment well—the past and present narratives are equally engaging. The storytelling is leisurely, almost to excess, then suddenly the stakes heighten as the Forbes-Vaughan connection is illuminated and Star discovers her true heritage and destiny.
Another pleasant jaunt down a genealogical rabbit hole.Pub Date: April 25, 2017
ISBN: 978-1-4767-5994-4
Page Count: 528
Publisher: Atria
Review Posted Online: Feb. 5, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Nicholas Sparks ‧ RELEASE DATE: Oct. 7, 1999
Pub Date: Oct. 7, 1999
ISBN: 0-446-52553-7
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
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by Thomas Mann ‧ RELEASE DATE: Aug. 10, 1995
For all that, it's important to have a contemporary updating of a classic novel, and for its clarity and syntactical vigor...
A new translation of Mann's great 1924 novel, long acclaimed as a masterly synthesis of the intellectual history of early 20th-century Europe and for its prescient scrutiny of elements in the German national character that had, and would again, find expression in the calamitous form of the world war.
Helen T. Lowe-Porter's original (1927) English version rendered with exemplary elegance the sonorous gravity of Mann's prose. This new one from Woods, twice the winner of PEN's Translation Prize, brilliantly showcases the tartness of the sophisticated characters' argumentative exchanges, but so emphasizes the amused judgmental irony of the novel's ever-present omniscient narrator that excessive attention is inadvertently focused on Mann's least attractive quality as a writer: his jocose, avuncular condescension.
For all that, it's important to have a contemporary updating of a classic novel, and for its clarity and syntactical vigor alone, Woods' new translation may be considered an impressive success.Pub Date: Aug. 10, 1995
ISBN: 0-679-44183-2
Page Count: 700
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
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by Thomas Mann ; translated by Damion Searls
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