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A SINGLE BREATH

Although the many revelations in the final chapters sometimes stretch the otherwise tight plot, the author creates an...

In an intensely emotional story of love, loss and deception, a recently widowed woman reaches out to her late husband’s family in Tasmania and discovers she never really knew the man she married.

Newlyweds Eva and Jackson are visiting her mother along the English coast when Jackson slips out and goes fishing early one morning and drowns. Eva is devastated. She and Jackson, a native of Tasmania, met two years ago aboard a flight to London, and they were married eight months ago. She’s a midwife and he worked as a brand marketer for a drink company, and his love gave her a sense of completeness. Now Eva’s loss is so deep, she yearns to be near those who knew him best—his father, Dirk, his brother, and friends who grew up and worked with her husband. Flying to Tasmania, Eva first meets with Dirk, who spends much of his time in an alcoholic haze and doesn’t exactly embrace her presence. Although disappointed, Eva travels to Wattleboon Island, off the coast, to meet Saul, Jackson’s estranged brother. Once again, she gets the cold shoulder as Saul remains closemouthed about his brother and tries to hurry her off the island. When Eva has a sudden fainting spell, though, Saul ends up taking her to the local hospital and allows her to stay in a shack that belongs to his friend. She extends her visit to the area, suffers another devastating loss and finds herself becoming attracted to Saul. Through a fluke meeting, she also finally gets what she seeks—stories about her late husband’s life—but they’re not at all what she expects, and she discovers her husband’s deception is more pervasive than anyone realizes. Clarke (Swimming at Night, 2013) skillfully envelops readers in a delicate, romantic story tinged with intrigue and set in a breathtakingly exotic locale.

Although the many revelations in the final chapters sometimes stretch the otherwise tight plot, the author creates an entertaining narrative.

Pub Date: April 8, 2014

ISBN: 978-1-4767-5015-6

Page Count: 320

Publisher: N/A

Review Posted Online: Feb. 1, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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THE GREAT ALONE

A tour de force.

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  • New York Times Bestseller

In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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