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THE BLUE

Overall, it’s quite a voyage.

Two women set sail on a yacht with a group of strangers hoping for a carefree, exotic adventure, but their journey takes an unsettling turn.

Lana and Kitty have been inseparable friends since childhood, sharing many common experiences, including living on the same street in motherless households. After Lana severs her relationship with her father following a painful discovery, the friends, now in their 20s, leave their native England and head for the Philippines, a country chosen by the spin of a globe and the jab of a finger. They’ve been there a few weeks when they befriend a group of seemingly carefree young adults who invite them to join them aboard The Blue, a yacht that travels to exotic locales in the Pacific. The five crew members share duties, chip in equal amounts of money to defray costs, and cast votes to decide matters of importance—including whom to invite to join them. But the eldest, Aaron, captains the yacht, and he expects all crew members to abide by four steadfast rules. Lana and Kitty eagerly agree to his conditions and are enthralled as they indulge in their idyllic new lifestyle. However, Lana has a nagging feeling that although things may be smooth on the surface, something murky is happening just beneath the calm waters. A crew member disappears, and Lana becomes increasingly disturbed as she struggles with her conscience and believes she’s been betrayed by the two people she loves the most. She leaves the yacht and settles in New Zealand. Now, eight months later, she anxiously awaits news of the crew’s fate as rescue helicopters try to save them from disaster. Clarke (A Single Breath, 2014, etc.) skillfully balances romance and thriller, shifting between past and present as Lana’s initial contentment changes to despair. She paints brilliant images of physical surroundings and takes readers on an emotional journey as she explores the fragile bonds that connect each crew member to the others. Although the author goes overboard at times trying to create dramatic tension, the narrative is punctuated with interesting, unpredictable plot twists that keep coming until the final page.

Overall, it’s quite a voyage.

Pub Date: Aug. 4, 2015

ISBN: 978-1-5011-1673-5

Page Count: 400

Publisher: N/A

Review Posted Online: May 18, 2015

Kirkus Reviews Issue: June 1, 2015

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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