Plot, reasonably clever. Setting, nicely done. Characters, two-dimensional stereotypes, but you can't have everything.
Ever since college, these nine friends have remained close. This year, only eight of them will go home from their New Years' party.
While Miranda and Katie are childhood friends and bonded with Julien, Mark, Samira, Giles, Nick, and Bo while they were at Oxford or soon after, Emma didn't become part of the group until she married Mark just a few years ago. For that reason, she has gone all out to plan this year's New Year’s gathering at a remote Scottish hunting lodge. "Very exclusive," she reports. "They only let four parties stay there each year." She's had the place stocked with truffles, foie gras, and other delicacies, and Miranda and Julien have brought a case of Dom Pérignon. As we turn the first page of Foley's (The Invitation, 2016, etc.) debut thriller after several historical novels, it is Jan. 2, 2019. Heather, the manager of Loch Corrin, receives a breathless visit from Doug, the rough-hewn and scary/sexy gamekeeper. He has found the body of the missing guest. We won't know which guest that is, of course, for quite some time. The tense tale of this ill-fated reunion is told in flashbacks from several different characters' perspectives, each with a different angle and a different dark secret in his or her past, as is classic in this form of the whodunit. It seems likely that the killer comes from the ranks of the guests—there's a good bit of interpersonal tension, much of it generated by the extreme gorgeousness of Miranda, the queen bee of the crowd. Her relationship with her husband, Julien, is surely not the bed of roses the others believe, and her so-called best friend, Katie, seems to hate her guts. On the other hand, there's mention of a serial killer on the loose in the Highlands, so who's that sneaking around in the woods?
Plot, reasonably clever. Setting, nicely done. Characters, two-dimensional stereotypes, but you can't have everything.Pub Date: Feb. 12, 2019
ISBN: 978-0-06-286890-9
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Striking a far less hysterical tone than in The Shining, King has written his most sweeping horror novel in The Stand, though it may lack the spinal jingles of Salem's Lot. In part this is because The Stand, with its flow of hundreds of brand-name products, is a kind of inventory of American culture. "Superflu" has hit the U.S. and the world, rapidly wiping out the whole of civilization—excepting the one-half of one percent who are immune. Superflu is a virus with a shifting antigen base; that is, it can kill every type of antibody the human organism can muster against it. Immunity seems to be a gift from God—or the Devil. The Devil himself has become embodied in a clairvoyant called Randall Flagg, a phantom-y fellow who walks highways and is known variously as "the dark man" or "the Walking Dude" and who has set up a new empire in Las Vegas where he rules by fear, his hair giving off sparks while he floats in the lotus position. He is very angry because the immune folks in the Free Zone up at Boulder have sent a small force against him; they get their message from Him (God) through a dying black crone named Abigail, who is also clairvoyant. There are only four in this Boulder crew, led by Stu Redman from East Texas, who is in love with pregnant Fran back in the Free Zone. Good and Evil come to an atomic clash at the climax, the Book of Revelations working itself out rather too explicitly. But more importantly, there are memorable scenes of the superflu spreading hideously, Fifth Avenue choked with dead cars, Flagg's minions putting up fresh lightbulbs all over Vegas. . . . Some King fans will be put off by the pretensions here; most will embrace them along with the earthier chilis.
Pub Date: Nov. 3, 1978
ISBN: 0307743683
Page Count: 1450
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Nov. 1, 1978
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and...
In Pinborough’s (Behind Her Eyes, 2018, etc.) twisty, decade-spanning, multivoiced thriller, everyone has secrets: teenager Ava; her mom, Lisa; and Lisa’s best friend, Marilyn.
On the surface, all three women fulfill the roles expected of them, and they support and love one another, but they don’t truly know each other. Ava, a competitive swimmer, is finishing up her exams and sneaking around with her first boyfriend while overly protective mom Lisa is about to clinch a big contract at work—and maybe even go on a date with a handsome millionaire client. Marilyn has been dealing with headaches at home, but she’s still game for a shopping trip to outfit Lisa for that big date. Soon, however, they will discover that someone else in their lives has a secret much darker than any they carry. This person is a murderer who is stalking a childhood friend who, they believe, betrayed their deepest trust. There are a lot of plot twists and reveals within the novel, some of which are surprising, some of which are expected. Pinborough weaves several different time periods and several different narrative voices to create layers of character and conflict, but the characters are types often found in psychological thrillers, and while their problems are often relatable, at least at first, they aren’t particularly engaging. It’s clear which decisions, and which silences, are going to get them into trouble, and yet, as people do, they carry on anyway. The one element that sets Pinborough’s novel apart from the slew of similar thrillers is the emphasis on female empowerment and the power of female relationships. These women need no one to save them, no knights in shining armor or handsome cops. As Marilyn succinctly puts it, “Fuck. That. Shit.”
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and turns along the way.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-285679-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
