by Lucy Grealy ‧ RELEASE DATE: Sept. 27, 1994
A gracefully written account of one woman's physical and spiritual struggle to surmount childhood cancer, permanent disfigurement, and, ultimately, ``the deep bottomless grief...called ugliness.'' After surviving relentless medical horrors—the removal at age nine of half her jaw due to Ewing Sarcoma, two and a half years of chemotherapy, and two years of reconstructive surgery—Grealy's true battle begins when she looks in the mirror and finds herself trapped behind a face, in a ``self'' that she hates, and for which her peers cruelly punish her. Once a buoyant, sociable tomboy, Grealy, through her suffering, becomes isolated—finding human comfort mainly among the patients she meets in her numerous hospital stays. She writes, ``I felt as if my illness were a blanket the world had thrown over me.... And somehow I transformed that blanket into a tent, beneath which I almost happily set up camp.'' Still a young girl, she must cope not only with her own fear but with the awkwardly expressed fears of her parents as well. Eventually, as she grows up, she finds solace and inspiration in the company of horses and other animals, and as a young adult, she cultivates an enriching inner life through reading, and later writing. Now an award-winning poet and essayist (a short version of her tale originally appeared in Harper's and received a National Magazine Award), Grealy's tale ends not with magical deliverance, but with hard-won self-acceptance. Nearly two decades and 30 surgical procedures later, Grealy finally stops waiting for her life to begin and comes to terms with her face—her ``self.'' An unsentimental, honest, unflinching look at a single visage reflected (or distorted) in an unforgiving cultural mirror. A strong debut.
Pub Date: Sept. 27, 1994
ISBN: 0-395-65780-6
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
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by Lucy Grealy
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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