A busy, imaginative, beguiling fairy tale.
In this lush, kaleidoscopic children’s fantasy, a plucky Filipino lad embarks on a magical mystery tour in search of a talisman that can save his father’s life.
Twelve-year-old Tetong rolls his eyes at the superstitious beliefs held by people in his Filipino village, but that skepticism is soon demolished by the mind-blowing adventures he experiences in this frenetic yarn. When his father contracts a mysterious ailment that baffles local healers, Tetong sets off in search of a cure and has encounters with strange and supernatural beings. He makes friends with an irascible witch and a creek monster (whom he returns to human form), rescues an injured eagle, liberates roosters from cruel bondage and frees horses from impending slaughter. His good-heartedness wins him valuable allies, an invisibility hat, a magic green orb and the power to fly, but it also incurs the wrath of a sorcerer known as the Man In Black, whom Tetong will have to fight in order to find a magic bird and lift the curse on the Land of the Unknown. Reyna tells Tetong’s story in the classic style of a fairy tale: Wondrous happenings proceed matter-of-factly; developments unfold by arbitrary incantatory rules; animals talk; and a deep moral reciprocity shapes a world in which favors are always repaid. Her prose is straightforward and brisk, her lavish imagery at times almost psychedelic (“[S]mall drops of purple light changed to orange and huge rolling eyeballs seemed to stare at him”) and her characters piquant. Along the way, she includes descriptive passages about Filipino village life, illustrated with engaging sketches. The narrative teems with so much action and spectacle that it sometimes loses the main story thread amid the whirl, but young readers will find plenty of diverting romps to hold their attention.
A busy, imaginative, beguiling fairy tale.Pub Date: Dec. 20, 2012
ISBN: 13-978-1479205691
Page Count: 260
Publisher: CreateSpace
Review Posted Online: July 25, 2013
Review Program: Kirkus Indie
A marketing trip from Miranda (Glad Monster, Sad Monster, p. 1309) that jiggity jigs off in time-honored nursery-rhyme fashion, but almost immediately derails into well-charted chaos. The foodstuffs—the fat pig, the red hen, the plump goose, the pea pods, peppers, garlic, and spice—are wholly reasonable in light of the author's mention of shopping at traditional Spanish mercados, which stock live animals and vegetables. Stevens transfers the action to a standard American supermarket and a standard American kitchen, bringing hilarity to scenes that combine acrylics, oil pastels, and colored pencil with photo and fabric collage elements. The result is increasing frazzlement for the shopper, an older woman wearing spectacles, hat, and purple pumps (one of which is consumed by her groceries). It's back to market one last time for ingredients for the hot vegetable soup she prepares for the whole bunch. True, her kitchen's trashed and she probably won't find a welcome mat at her supermarket hereafter, but all's well that ends well—at least while the soup's on. (Picture book. 4-8)
Pub Date: Oct. 1, 1997
ISBN: 0-15-200035-6
Page Count: 36
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
A picture book made to incite pleasure and joy.
The celebrated picture-book artist enthusiastically joins the nonsense tradition.
Carle’s nearly 50-year career has produced myriad concept books about counting, the alphabet, and colors, as well as simple, original stories, retellings of fairy tales, and picture books that push the physical boundaries of the form. This latest proves that Carle can reinvent himself as a creator in the field, as he now revels in the absurd, eschewing any pretense of teaching a concept or even engaging with story. Instead, spread after spread uses nonsensical text and sublimely ridiculous pictures to provoke laughter and head-shaking delight. In addition to the book’s title, art immediately cues the book’s silly tone: the cover displays one of Carle’s signature collages against an empty white background; it depicts a duckling emerging from a peeled-back banana peel. The title-page art presents a deer sprouting flowers rather than antlers from its head. When the book proper begins, and language joins illustration, readers are ushered into a series of situations and scenarios that upend expectations and play with conventions. “Ouch! Who’s that in my pouch?” asks a kangaroo with a little blond child instead of a joey in her pouch. Another scene shows two snakes, joined at the middle and looking for their respective tails.
A picture book made to incite pleasure and joy. (Picture book. 3-7)Pub Date: Oct. 13, 2015
ISBN: 978-0-399-17687-6
Page Count: 40
Publisher: Philomel
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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