by Luis Urtueta ‧ RELEASE DATE: April 22, 2021
A careful and critical, if sometimes banal, portrait of an international businessman.
Urtueta’s debut literary novel chronicles a week in the life of a white-collar worker.
Henry is a business consultant who hails from Madrid, Spain. He spends much of his working time on the 11th floor of a “tower by the sea” completing tasks for a company called Anthony Freckleman (or “AF,” as it is sometimes referred to). Henry travels to Dubai frequently, about 40 times a year, at the behest of AF. He usually wakes up for his trips feeling energetic, which means he enjoys “forty wake-ups a year on which [he feels] hopeful and energetic: not a bad number.” He works with an international, cosmopolitan team with colleagues and friends from places all over the world, including Slovakia and Lebanon. (Henry went to prep school in Massachusetts.) The novel follows Henry as he engages in business activities like attending meetings and listening to the gripes of co-workers. He knows how to do things like rate clients in order to get them to something called the “maximum capability level.” But Henry also knows philosophy—he will subtly compare a situation to something out of Socrates and cite an acquaintance who works in fashion as an example of “Nietzsche’s superwoman.” Or, he may paraphrase Valery when he explains that “A presentation, no matter how long one worked on it, was never really finished until it was presented, until it died by the projector.” As the reader learns, there is a lot going on under the surface in this seemingly dull yet sophisticated and competitive world of international business consulting.
Henry’s life is not one of slapdash excitement. Though he gets to travel extensively, this is because he must fulfill obligations like attending anti-discrimination training in Germany. There is not much that threatens him on a day-to-day basis outside of his own thoughts. This is a reality he reflects on when he considers how, as he finds himself in a room “refrigerated by a central air-conditioning system, and surrounded by concrete, by one floor below and two above,” people like his grandfather fought in the Spanish Civil War. And not just fought, but “slept rough, marched, starved, and shivered through it. Nature was right at the doorstep of these people’s bodies.” Henry has many such thoughtful observations to share, right down to how, in his school days, he became addicted to playing “Twisted Metal, a weird game to be fond of.” At one point, he sees a woman in a suit who “seemed to be the lady from Murder She Wrote.” It is an image that, for those who know the television program, is incredibly astute. Unfortunately, getting to such moments often requires wading through less than scintillating material. For instance, when Henry stays at one hotel, the staff forget to give him a spoon with his lentil soup; in due time, he gets a spoon. The scene is no more thrilling than it sounds. An early sequence portrays Henry interviewing a woman for a position at AF. The interview has to be stopped so that Henry can participate in a presentation—this is not a particularly high-stakes situation. While events do pick up in later pages, the real intrigue of the novel comes in the finely rendered details.
A careful and critical, if sometimes banal, portrait of an international businessman.Pub Date: April 22, 2021
ISBN: 9798567557563
Page Count: 256
Publisher: Self
Review Posted Online: Nov. 21, 2024
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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