The author himself knows a thing or two about telling stories. These form an entertaining, touching, valuable chapter in the...
The life of stage-film-TV star Eileen Heckart recalled in a series of delightful war stories.
As a child, Yankee savored the times when his mother, Eileen Heckart, cigarette in one hand, scotch in the other, regaled her friends—Vivian Vance, Paul Newman, Joanne Woodward, Ethel Merman—with stories of adventures and misadventures encountered during a lifetime of acting. As an adult, Yankee, an actor, put many of his mother’s anecdotes into a one-man show, Diva Dish, which he here presents as a full-fledged biography. Heckart had “the actor’s childhood”—her mother was cold and distant, lost in her own problems. Heckart, of course, escaped through acting; after training at Ohio State, she headed to New York in the early ’50s and moved rather steadily from bit parts to critically acclaimed performances in Picnic, The Dark at the Top of the Stairs and Butterflies Are Free (reprising her role in the latter on film, she copped an Oscar). The stories she passed on to her son reveal a witty, direct, forceful and generous performer. She asked Arthur Miller to rewrite one of her lines. She told Goldie Hawn her Haight-Asbury hippie clothes looked ridiculous. She conspired with Bette Davis to give a break to a nervous actor having trouble with a scene. As Yankee matured, he turned to acting and directing. Mother could be his Auntie Mame, dazzling him with lunch at Sardi’s, and his most forceful critic. “What the fuck are you doing?” she blurted out, interrupting his work on a scene. He kept going until he got it right. Her stories had taught him that.
The author himself knows a thing or two about telling stories. These form an entertaining, touching, valuable chapter in the history of Broadway’s golden age.Pub Date: May 1, 2006
ISBN: 0-8230-7888-4
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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