After Alicia Betancourt died in a car accident in 2004, her mother, picture-book illustrator Delacre, put together this collection of thoughts and memories of Alicia from her friends and family. Each shares recollections of Alicia and how she influenced his or her life with her upbeat personality—which is the crux of this book’s problem. Alicia may have been a kind friend, a talented dancer and hugely compassionate, but while these traits make for a spectacular human being, they also make for a frankly boring protagonist. Viewed only through the eyes of those who loved her, Alicia comes across as a flawless angel (a description used more than once), someone the reader can never hope to relate to or even aspire to emulate. It’s easy to see that Alicia’s friends and family adored her, but that love comes across on the page as slushy, full of stilted dialogue. This lovely tribute to Alicia’s memory is neither thought-provoking nor especially interesting for the general reader. (Nonfiction. 12 & up)
Pub Date: Sept. 1, 2008
ISBN: 978-1-60060-242-9
Page Count: 144
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
Death isn’t an easy subject to write about, but Shusterman handles it deftly, as he explores what happens to two children who are “lost” on their way “towards the light.” Nick and Allie have never met, but both are involved in a fatal car accident. They find they are neither living nor spirit; they now exist in Everlost. Learning to cope with their new state of being, they arrive in New York City, where a band of lost children have taken up residence in the Twin Towers, which still stand tall in Everlost. Led by Mary, the Queen of Snot, threatened by the Great McGill and his pirate band, these children have come to accept that this is where they belong and will always be. But Nick and Allie know there must be something—somewhere—else, and they are determined to find out what and where that is. A quirky sense of humor pervades, which helps to lighten what would otherwise be a disturbing concept. But the overall message (that there is existence after life and purpose to that existence and a destination when one is finally ready for it) is one of comfort. For anyone who has lost a friend or loved one at an early age, this is a good read. (Fiction. 12-15)
Pub Date: Oct. 1, 2006
ISBN: 0-689-87237-2
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
Whether you came for the lore or the love, perfection.
Broken people, complicated families, magic, and Faerie politics: Black’s back.
After the tumultuous ending to the last volume (marriage, exile, and the seeming collapse of all her plots), Jude finds herself in the human world, which lacks appeal despite a childhood spent longing to go back. The price of her upbringing becomes clear: A human raised in the multihued, multiformed, always capricious Faerie High Court by the man who killed her parents, trained for intrigue and combat, recruited to a spy organization, and ultimately the power behind the coup and the latest High King, Jude no longer understands how to exist happily in a world that isn’t full of magic and danger. A plea from her estranged twin sends her secretly back to Faerie, where things immediately come to a boil with Cardan (king, nemesis, love interest) and all the many political strands Jude has tugged on for the past two volumes. New readers will need to go back to The Cruel Prince (2018) to follow the complexities—political and personal side plots abound—but the legions of established fans will love every minute of this lushly described, tightly plotted trilogy closer. Jude might be traumatized and emotionally unhealthy, but she’s an antihero worth cheering on. There are few physical descriptions of humans and some queer representation.
Whether you came for the lore or the love, perfection. (Fantasy. 14-adult)Pub Date: Nov. 19, 2019
ISBN: 978-0-316-31042-0
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Aug. 27, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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