GOLDEN TALES

A pretentious collection, subtitled ``Myths, Legends and Folktales from Latin America,'' of stories from 13 countries and several native cultures. The varying styles of these tales as presented do not seem to bow to the seriousness of myth vs. the popular nature of legend, instead seemingly emerging from the tale's content. Thus a legend like ``Guanina'' from Puerto Rico stuns readers with all the banalities of the romance genre: ``Silently they embraced once more, for a long moment of passion. Fully possessed by his love, she knew his heart was forever hers.'' Other stories begin promisingly, and then dwindle, e.g., in ``The Laughing Skull,'' a Dominican legend, a terrifying situation is set up when a skull in a niche in a convent wall takes to chattering and moving around. The anticlimactic resolution comes when Abad climbs a ladder to put a stop to it: ``Chilling screeches emerged, screeches that would freeze the hearts of even the bravest of men. Oddly enough, Abad remained calm.'' Lesser infelicities—split infinitives—can be forgiven if a tale sweeps readers along; this collection, for all the care and research behind it and the graceful illustrations that decorate it, offers no such grounds for absolution. (maps, notes, pronunciation guide) (Folklore. 8+)

Pub Date: Sept. 1, 1996

ISBN: 0-590-48186-X

Page Count: 74

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1996

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MORNING GIRL

Like the quiet lap of waves on the sand, the alternating introspections of two Bahamian island children in 1492. Morning Girl and her brother Star Boy are very different: she loves the hush of pre-dawn while he revels in night skies, noise, wind. In many ways they are antagonists, each too young and subjective to understand the other's perspective—in contrast to their mother's appreciation for her brother. In the course of these taut chapters concerning such pivotal events as their mother's losing a child, the arrival of a hurricane, or Star Boy's earning the right to his adult name, they grow closer. In the last, Morning Girl greets— with cordial innocence—a boat full of visitors, unaware that her beautifully balanced and textured life is about to be catalogued as ``very poor in everything,'' her island conquered by Europeans. This paradise is so intensely and believably imagined that the epilogue, quoted from Columbus's diary, sickens with its ominous significance. Subtly, Dorris draws parallels between the timeless chafings of sibs set on changing each other's temperaments and the intrusions of states questing new territory. Saddening, compelling—a novel to be cherished for its compassion and humanity. (Fiction. 8+)

Pub Date: Sept. 14, 1992

ISBN: 1-56282-284-5

Page Count: 80

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister:...

CORALINE

A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.

Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.

Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)

Pub Date: July 1, 2002

ISBN: 0-380-97778-8

Page Count: 176

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2002

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