by Lulu Delacre ; illustrated by Lulu Delacre ‧ RELEASE DATE: Feb. 1, 2016
Poetic and informative, a breath of fresh air in the too-often-contrived world of bilingual books.
By means of the alphabet, this bilingual book introduces the cloud forest habitat of the olinguito, a recently discovered mammalian species from the Ecuadorean Andes.
Via text that reads like poetry, readers join a zoologist in the cloud forest of the Ecuadorean Andes as he searches for the elusive olinguito. Using the alphabet as a device, Delacre presents the habitat of the olinguito. By focusing on the habitat rather than the animal the author reinforces the important concept of interconnectedness. In a nice departure from the usual bilingual book produced in the States, Spanish is presented first, and the alphabet includes the “ñ.” In another welcome departure, both languages have been allowed to breathe and sound fluent. The Spanish text, often alliterative, hews closer to the corresponding alphabet letter than the English does; if it doesn’t work for the English text the author has allowed it to be so. For example, “Pp: Pica, pica, picaflor del paraíso de las palmas de cera / A hummingbird sips nectar in this paradise of wax palms.” The beautifully detailed mixed-media artwork urges readers to look closely, and the author further encourages exploration by listing some of the things readers can go back and search for in the illustrations. The book is rounded out with bilingual backmatter.
Poetic and informative, a breath of fresh air in the too-often-contrived world of bilingual books. (author notes, glossaries, author’s sources) (Bilingual informational picture book. 5-9)Pub Date: Feb. 1, 2016
ISBN: 978-0-89239-327-5
Page Count: 40
Publisher: Children's Book Press
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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