by Lydia Davis ‧ RELEASE DATE: Nov. 2, 2021
For those wondering what translators do and how they do it, this collection is a must.
A vivid portrait of the translating life.
Davis is known for both her precise, uber-concise short fiction and her translations of Proust, Flaubert, and others. In this immersive collection, she offers a second (following Essays One) in-depth exploration of foreign languages and the art of translation. As a girl, learning German as a second language created a “hunger” in her to find out what words “mean.” The author begins by describing the 21 pleasures she gets from translating, including how it helps with her own writing; she enjoys subsuming herself in the writer and another culture and the pure joyous comfort that comes from it. She prefers beginning a translation without reading the book. Davis had already translated more than 30 French books before undertaking the daunting process, which she describes in luscious detail, of translating Proust’s Swann’s Way. In an essay on learning Spanish, she offers advice on how children should learn a foreign language, explaining how she learned by reading a Spanish translation of Tom Sawyer. Essays on translating “one kind of English to another”—e.g., converting Sidney Brooks’ memoir, Our Village, into a poem—and why she does these as experiments are fascinating. The experience of translating Michel Leiris’ The Rules of the Game “was heady because, for the first time in my translating life, I felt like a conduit through which the original French was effortlessly passing to become, instantly, an English equivalent, even a close English equivalent, in some way identical to the French, as though I had achieved some version of Borges’s Menardian ideal.” Other languages Davis discusses are Dutch, Gascon, and the “two kinds of Norwegian.” Taking on a new translation of the oft-translated Madame Bovary, Davis, the inveterate translator, writes, “the more the better.” Numerous examples of her and others’ translations are included throughout.
For those wondering what translators do and how they do it, this collection is a must.Pub Date: Nov. 2, 2021
ISBN: 978-0-374-14886-7
Page Count: 592
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 24, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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by Colin Kaepernick with Nick Chiles ‧ RELEASE DATE: Sept. 15, 2026
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.
A principled athlete strives for social justice.
Kaepernick forthrightly details the activism that earned him global renown but cost him his NFL career. In 2016, the San Francisco 49ers quarterback “was filled with disgust” after police shootings of fellow Black men in several American cities. Before a preseason game, he made a spontaneous decision: “It hit me in that moment that I should find a seat” during the national anthem. He did the same at two more games before reporters noticed. Kaepernick will forever be associated with “taking a knee” during the anthem, but he credits Eric Reid—a teammate who agreed with Kaepernick’s message—for suggesting that they kneel together during subsequent anthems. The protest changed everything for Kaepernick. President Trump vilified him. Kaepernick and his wife received death threats. And though he’d taken the 49ers to a Super Bowl, no teams would sign him. He will likely make news for his take on Jay-Z, whose lucrative partnership with the NFL was criticized as an attempt to launder the league’s reputation. Visiting Africa, where Kaepernick learns about “African leaders who willingly sold their own people to the enslavers,” he “couldn’t help but to think about Jay-Z and the NFL.” In opening chapters, Kaepernick recalls suffering traumatic racial abuse as a child. Being in “white spaces”—he was adopted by white parents—placed him “under a microscope every minute of every day.” He isn’t always nuanced, depicting some people he disagrees with as cartoonishly clueless. But his writing about how college and pro teams “lied” to him about injuries underlines his “feeling of being a disposable commodity.” A decade has passed since Kaepernick played in the NFL, but he stays fit in case “a team needing a QB” calls.
A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.Pub Date: Sept. 15, 2026
ISBN: 9781538777879
Page Count: 288
Publisher: Legacy Lit/Hachette
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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