Another life-affirming work from a writer who always carves her own literary path.
Independently wealthy but bereaved in the wake of a painful breakup, a man moves from New York to Arizona in search of a fresh start.
Millet pulls back slightly here from the environmental catastrophe imagined in her National Book Award finalist, A Children’s Bible (2020). To be sure, Gil sees plenty of evidence of human destructiveness around his new home in Phoenix, especially the corpses of birds shot and abandoned by an anonymous hunter. Human cruelty is also evident in the bullying of his next-door neighbors’ son, Tom, by a schoolmate, who is himself maltreated by his brutal father. But Gil finds warm companionship with Tom’s parents, Ardis and Ted, and his memories of New York include close friendships with two men, the hilariously unalike Vic and Van Alsten. These relationships counterpoint the treatment he suffered from his abusive and manipulative former girlfriend, Lane; good-natured, almost pathologically unassuming Gil’s eventual extrication from her emotional clutches forms an important element in the plot. How we can nurture ourselves, the people dear to us, and the world around us are key issues in this gentle, meditative novel, told from Gil’s point of view to slowly build a marvelously full, if inadvertent, self-portrait. Gil rivals Dostoevsky’s Prince Myshkin in sheer goodness, with a healthy dollop of Myshkin’s cluelessness, but he grows and learns as he settles in in Arizona and gets several kinds of closure from developments in New York. His new Arizona friends are also depicted as kind people striving to do right by others. Are they doomed to extinction, like Millet’s eponymous dinosaurs? Will they survive by evolving, as dinosaurs did into birds? These sorts of philosophical questions are raised with a very light touch by Millet, who enfolds thematic and psychological depths in elegant, deceptively simply prose. Her lovely, moving conclusion affirms that “separateness had always been the illusion…the world was inside you.”
Another life-affirming work from a writer who always carves her own literary path.Pub Date: Oct. 11, 2022
ISBN: 978-1-324-02146-9
Page Count: 240
Publisher: Norton
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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