Convincing evidence that a specific pattern of behavior is a risk factor, albeit one of many, for certain cancers. Psychologist Temoshok (who's connected to Walter Reed Army Medical Center) and science-writer Dreher (Your Defense Against Cancer, 1988) report on Temoshok's research into the link between behavior and cancer and on the research of others into the mind- body connection, especially the role of the immune system. Working with melanoma patients, Temoshok, who takes a biopsychosocial view of health and illness, has discerned among the most severe cases a common pattern for coping with stress. She calls this pattern ``Type C behavior'' and contends that it's marked by passivity, appeasement, and repression of anger and other strong emotions. According to Temoshok, the nonexpression characteristic of the Type C person weakens the immune system, increasing vulnerability to cancer and infectious diseases. The authors generally are careful not to overstate their case, and they make clear that this effect has not been found in all cancers nor in all age groups. They are also aware that the misinterpretation of the mind-body connection sometimes has led patients to blame themselves for their cancers—and that's just not so, say the authors. After a brief look at the roots of Type C behavior, Temoshok and Dreher offer advice on how to transform it into a more balanced, healthier pattern, first through self- awareness and then by taking action. They go on to give specific advice on becoming more assertive with doctors and nurses, expressing emotions constructively, and securing needed support from others. A well-written, responsible presentation of the evidence that there is a correlation between manageable psychological factors and the development of cancer.

Pub Date: July 1, 1992

ISBN: 0-395-57523-7

Page Count: 432

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1992

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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