Four privileged Long Island teens befriend their favorite YA author with disastrous results.
Soon after their first encounter at a book signing, the bewitching and charismatic Fatima Ro—23-year-old author of Undertow—takes four of her teenage worshippers under her wing. Snobbish Miri Tan is the self-proclaimed leader of their school’s Undertow Society, giddy fangirl Soleil Johnston carefully documents every one of her interactions with Ro, ditzy Penny Panzarella kindly helps out around the author’s house after being given a key, and socially isolated Jonah Nicholls harbors an emotional attachment to Ro’s story. But when she very obviously writes them into her next novel, The Absolution of Brady Stevenson, the teens’ rose-tinted glasses are shattered, painful truths are uncovered—and, most shocking of all, Jonah is attacked and ends up in a coma. The story is related via a mixture of formats, including video interview transcripts, magazine articles, and passages from Ro’s second novel, with each providing insight into the characters’ individual relationships with the author. The weight of grief, authentic human connections, and whether life offers do-overs are all explored here. A lack of physical descriptions requires readers to speculate about characters’ ethnicities based on the diversity of their names.
Utterly addictive and psychologically delectable—Peñaflor’s (Unscripted Joss Byrd, 2016) second novel will shock at every twist and turn. (Fiction. 13-18)Pub Date: May 15, 2018
ISBN: 978-0-06-267365-7
Page Count: 432
Publisher: HarperTeen
Review Posted Online: Feb. 20, 2018
Kirkus Reviews Issue: March 1, 2018
Categories: TEENS & YOUNG ADULT FICTION
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PROFILES
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 16, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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