Next book

THE TIGER MOM'S TALE

Family drama cannot transcend soap-operatic plot twists and too-easy resolutions.

Butler's debut novel delves into a biracial Taiwanese American woman's complicated family relations.

Protagonist Lexa, a 30-something physical trainer in New York City, is building her client list and looking for love at the novel's start. She's estranged from her biological father in Taiwan, and the White side of her family has fallen into conflict. Her White American mother has left Lexa's stepfather for a woman, and Lexa's bigoted sister is acting out. Then Lexa discovers her father, Jing Tao, has died, and her Taiwanese half sister, Hsu-Ling, is flying to New York to hand-deliver an important letter about her inheritance. Melodramatic plot twists pile on with lightning speed, but a dinner scene in which Lexa and her two half sisters confront a White man with "yellow fever," intent on objectifying Asian women, is hilarious. Other plot points suffer from a reliance on stereotypes. The central mystery of the novel, the cause of Lexa's estrangement from her biological father, is unfortunately predicated on a misogynist and racist caricature. Jing Tao's wife, Pin-Yen, is literally referred to as a Tiger Mom and is characterized in broad strokes: She forces piano lessons on her own daughter and pushes for academic success. Pin-Yen commits truly egregious acts of cruelty against the 14-year-old Lexa, but her cartoonish villainy undermines the book. If Jing Tao is truly the enlightened, loving man the reader is told he is, what would have sustained his marriage to a woman so monstrous? Why can't he and his wife communicate with each other like adults? That Jing Tao never noticed his wife's manipulations is a convenient plot device that reveals how underwritten he is as a character. The novel is trying for a breezy, sometimes-comical, sometimes-sentimental depiction of family and heritage, but such paper-thin characterizations undermine its own good intention.

Family drama cannot transcend soap-operatic plot twists and too-easy resolutions.

Pub Date: July 6, 2021

ISBN: 978-0-593198-72-8

Page Count: 352

Publisher: Berkley

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 157


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 157


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 477


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 477


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Close Quickview