A masterwork of visual storytelling that honors both animal sacrifice and the sustaining power of love during wartime.
An almost wordless tribute to the messenger dogs who carried vital communications across battlefields during World War I.
Rayne follows a child who answers the call to donate a beloved pet to the war effort, then tracks the dog’s journey from training to frontline service. The tale is told entirely through sequential art panels that shift in size and pace to control the narrative rhythm. The illustrations, created with ink, watercolor, colored pencil, and pigment made from the soil of northern France, are extraordinary in their emotional range and technical mastery. Warm golds and greens suffuse peaceful domestic scenes, while the battlefield sequences explode in fiery oranges and oppressive blacks, the shifting palette mirroring the dog’s trajectory from safety to danger. Every character—human and canine—is rendered with remarkable expressiveness; the dog’s ears, posture, and eyes telegraph fear, determination, and devotion without a single word. Small details accumulate power: the child’s bowed head, a handler’s gentle touch, the dog’s focused gaze across no-man’s-land. The paneled format creates a movielike flow that guides readers through moments of tenderness and terror with equal clarity. Extensive backmatter provides photos and historical context about the British War Dog School and messenger dog training, as well as the other animals of World War I, grounding this intimate story in documented history. Most characters present white.
Pub Date: Aug. 25, 2026
ISBN: 9781665982788
Page Count: 72
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
BOOK REVIEW
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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