Adding to an impressive and growing body of work about important places, Curlee here celebrates America’s “green cathedrals,” offering a fine survey of American history through the story of baseball. From early American bat-and-ball games to the present, every era has its story, from the Black Sox scandal after WWI, Babe Ruth and the Roaring Twenties, the Negro Leagues and the Great Depression, and on into the modern era of ballparks shaped like “concrete doughnuts” and the reaction to them in retro ballparks such as Baltimore’s Camden Yards. The text is dense but full of fascinating history, and the glorious colors of the acrylic paintings effectively celebrate the ballparks and the players, stiff and formal as the stately cathedrals they inhabit. Double-page spreads featuring Ty Cobb and Jackie Robinson, majestic paintings of Yankee Stadium and Wrigley Field, and a diagram of Fenway Park add to the work’s tremendous visual appeal. The volume arrives with the new season, and readers who need encouragement to get out to the ballpark will surely find it here. (bibliography) (Picture book/nonfiction. All ages)
Pub Date: March 1, 2005
ISBN: 0-689-86742-5
Page Count: 48
Publisher: Atheneum
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2005
A stellar collaboration that introduces an important and intriguing individual to today’s readers.
Two bestselling authors imagine the boyhood of the man who became the legendary boxing icon Muhammad Ali.
Cassius was a spirited child growing up in segregated Louisville, Kentucky. He had a loving home with his parents and younger brother, Rudy. Granddaddy Herman also was an important figure, imparting life lessons. His parents wanted him to succeed in school, but Cassius had difficulty reading and found more pleasure in playing and exploring outdoors. Early on, he and Rudy knew the restrictions of being African American, for example, encountering “Whites Only” signs at parks, but the brothers dreamed of fame like that enjoyed by Black boxer Joe Louis. Popular Cassius was especially close to Lucius “Lucky” Wakely; despite their academic differences, their deep connection remained after Lucky received a scholarship to a Catholic school. When Cassius wandered into the Columbia Boxing Gym, it seemed to be destiny, and he developed into a successful youth boxer. Told in two voices, with prose for the voice of Lucky and free verse for Cassius, the narrative provides readers with a multidimensional view of the early life of and influences on an important figure in sports and social change. Lucky’s observations give context while Cassius’ poetry encapsulates his drive, energy, and gift with words. Combined with dynamic illustrations by Anyabwile, the book captures the historical and social environment that produced Muhammad Ali.
A stellar collaboration that introduces an important and intriguing individual to today’s readers. (bibliography) (Biographical novel. 8-12)Pub Date: Oct. 5, 2020
ISBN: 978-0-316-49816-6
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown and HMH Books
Review Posted Online: Aug. 3, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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