Hightower takes a break from her three series characters (Fortunes of the Dead, 2003, etc.) for a stand-alone nightmare that...
A mother with a troubled family past flees her ruined marriage to a peripatetic manager only to realize that you can’t go home again, especially if you’re sharing your home with a truly malignant ghost.
Christopher James has been dead for nine weeks, but that doesn’t stop him from phoning his sister Olivia and warning her: “I had to pay the piper....Don’t let him…after you.” Olivia knows instantly that the piper is the nameless malefactor who carried off her sister Emily 25 years ago. Does Chris’ call indicate that he fell victim to the same predator and that Olivia may be next? Now that she’s moved herself and her 8-year-old daughter, Teddy, from LA back to her family home in Knoxville, she certainly has put herself in the piper’s way. Teddy gets texts and hears menacing predictions from a voice she reluctantly identifies as that of Duncan Lee, aka Decan Lude, the Pied Piper of Hamelin. After Chris’ widow, Charlotte, begs Olivia to move out of a house she’s convinced is haunted, a blowup between the two women leaves Olivia feeling acutely isolated. It does no good to reach out for help, since anyone who tries to reassure her or stand between her and the piper ends up dead. When Teddy vanishes as suddenly and completely as Emily, Olivia is forced to decide what value she places on her child’s life and whether she’s willing to pay the piper to bring her back safely.
Hightower takes a break from her three series characters (Fortunes of the Dead, 2003, etc.) for a stand-alone nightmare that will keep you awake till the last page and maybe even afterward.Pub Date: May 1, 2013
ISBN: 978-0-7278-8251-6
Page Count: 256
Publisher: Severn House
Review Posted Online: March 30, 2013
Kirkus Reviews Issue: April 15, 2013
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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