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CAGED EYES

AN AIR FORCE CADET'S STORY OF RAPE AND RESILIENCE

A slow read in some places but worth it for a deeper understanding of an important issue.

A personal account of sexual assault in the military, from the point of view of a cadet in the Air Force Academy.

Hall, a crisis counselor and survivor advocate, begins the book with the story of her turbulent childhood (absent biological father, mercurial mother, and another abusive father figure), the experience of which gave her the determination to make herself an astronaut. Along her path, she was sexually assaulted by not one, but three men, including an upperclassman who had already been accused of rape and infected her with herpes. Hall focuses largely on the aftermath of rape rather than the attacks themselves, and she provides a well-written account of the many injustices—not just sexual assault—suffered by women in the military: doctors who ignore symptoms and make no effort to treat illnesses, the fear of reporting both the assault and the illness, and the casual insults that reinforce shame and lack of self-worth. “The culture we lived in, particularly in the military, only reinforced the idea that we were to blame,” she writes. As she wrote, Hall was coming to terms with the extent of her trauma and inability to cope. In addition to wrestling with the countless difficult emotions that her experiences provoked, Hall opens a window onto sexual assault in general and the effect it has immediately and years, even decades, afterward. While it may not be the right read for everyone due to its unique point of view and profusion of self-blame, it will certainly enlighten those who overcome their discomfort long enough to understand that by taking readers along on her journey, Hall allows them to truly understand how victims internalize the worst accusations of the culture around them and the monumental effort needed to combat their own self-doubt.

A slow read in some places but worth it for a deeper understanding of an important issue.

Pub Date: Feb. 7, 2017

ISBN: 978-0-8070-8933-0

Page Count: 272

Publisher: Beacon Press

Review Posted Online: Oct. 19, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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